I want to end this series with some final thoughts and ideas for the future about orcas in captivity.
The Impact of Blackfish
My own interest in orcas began with the film Blackfish and my education about orcas grew from there. I found the documentary moving, educational, and enlightening. While some charge that Blackfish was one-sided, the producers, as indicated in the film, requested interviews with SeaWorld multiple times and SeaWorld declined all requests. Further, many other sources support the information in the film. SeaWorld spent years fighting against the film’s revelations, calling it propaganda, and even dedicating an entire website to trying to debunk the film. That website has since been taken down and their current website does not make a single reference to it that I could find.
According to David Neiwert, “The marine-park industry attracts more paying customers than even the most popular sports leagues. In 2012, orca facilities around the world drew over 120 million people, more than the combined attendance of Major League Baseball, National Football League, and National Basketball Association games. Orcas are Big Money now.”1 Of course, the Blackfish effect permanently altered the course of the marine amusement park industry on the western side of the world. There have been many articles written about the film’s significant long-term effects, some of which I’ve included under Additional Resources below.
Still, SeaWorld Parks & Entertainment alone had annual attendances of over 22 million in both 2018 and 2019.2 It is difficult to determine if SeaWorld has experienced a continued decline in recent years since 2020 and part of 2021 were affected by the COVID-19 global pandemic.
Entertainment as Cause
1970s MarineLand Canada brochure, image from Cetacean Collective on Flickr, Creative Commons license (CC BY-NC 2.0)
In my article about wild orca captures, I explained how the marine amusement park business model developed over time. Killer whales were once feared and believed to be dangerous. “Then someone got the clever idea to capture one of these terrifying creatures and to put it on display. And that changed everything…The public’s fascination with orcas was remarkable, considering that less than a generation before, these creatures had mostly elicited shudders of fear.”3 Humans discovered how intelligent and easy it was to train killer whales to perform, much like circus animals, for the purpose of entertainment.
“Ironically, it is their intelligence that has made these animals desirable for public display—their ability to understand human commands and learn complex behaviors or tricks has been exploited to provide humans with entertainment.” -Dr. Naomi Rose4
Image by M W from Pixabay
The Argument For Captivity
In Of Orcas and Men, David Neiwert talked about his experience taking his daughter to SeaWorld when she was very young. He asked, “These parks deserve great credit for providing people the opportunity to actually see, in the flesh, one of these great creatures, but do they truly show orcas as they really are?”5 Of course, the answer is no. I have struggled with that exact point throughout my whole orca series: the parks allow people to see orcas, and most of us don’t have the opportunity to see one otherwise. Isn’t that one of the same arguments in favor of zoos? To allow people to see and learn about the animal kingdom so that they will want to protect them?
But marine amusement parks have a different primary goal, that of entertainment. As Neiwert noted, “Those parks tell a different story about killer whales. They portray them as docile and friendly, like super-smart performing dogs.”6 Dr. Naomi Rose noted that the Animal Welfare Institute and World Animal Protection organizations “maintain that exposure to captive marine mammals does exactly the opposite of what the industry rhetoric claims; instead of sensitizing visitors to marine mammals and their habitat, it desensitizes people to the suffering inherent in removing these animals from their natural habitats and holding them captive.”7
“Captivity has been a catastrophe for most killer whales taken from the wild. Study after study has demonstrated that whales in captivity are more than two and a half times more likely to die than whales in the wild.”8
Photo by Shawn McCready on Flickr, Creative Commons license CC BY-ND 2.0)
The Façade of Science and Education
Many marine amusement parks in the U.S. are AZA-accredited. But many have not contributed to science, conservation, and education to the extent that zoological parks have. As whale researcher, Erich Hoyt, noted in 1992, “Marine parks do not measure up to the best zoos or environmental groups in terms of supporting or conducting science.”9 As I’ve learned, marine amusement parks still do not measure up, thirty years later. I think they’re starting to turn things around for the better, but there’s still a long way to go. “If science were a primary goal at marine parks, rather than display, much better scientific results could have been obtained with a fraction of the number of captive orcas and in a fraction of time.” Then the orcas could have been released. Hoyt argued that “science” was an excuse to keep captive orcas.10
Marine amusement parks also do not educate their patrons about cetaceans in the wild, or at least not very accurately. SeaWorld and other marine amusement parks sometimes portray the ocean as a scary place that orcas face a lot of challenges within, which is misleading. “However, that does not mean captivity is a better place for them than the wild. It only means that the people who fear for their well-being in captivity, and wish to see it ended, also need to be engaged in helping killer whales to thrive in the wild.”11 SeaWorld and the other parks have an opportunity to inspire their patrons to help protect the natural world.
“There is about as much educational benefit to be gained in studying dolphins in captivity as there would be studying mankind by only observing prisoners held in solitary confinement.” -Jacques Cousteau
An Example in Morgan the Orca
Photo by Annemieke Podt, found on Wikipedia, Creative Commons license (CC BY 3.0)
Morgan is a female orca at Loro Parque in the Canary Islands whose captivity is very controversial. Accidentally separated from her family when she was about 3 years old, she was captured off the coast of the Netherlands in 2010. She was taken to Dolphinarium Harderwijk to receive medical care for starvation and dehydration. Morgan was supposed to be rescued, rehabilitated, and released back to the ocean. However, the marine amusement park transferred her to Loro Parque instead where she has become a performing orca and was integrated into the park’s breeding program in conjunction with SeaWorld. The original agreement stated that she would not be put on public display but that part was ignored. There was a year of lengthy court battles but in the end, Morgan sadly remains at Loro Parque. She is an example of a captive orca that could be released to a sanctuary, if not back to the wild.
“Children know conservation is important, but what more powerful lesson than to show them how to put conservation into action by returning something to nature? It would be a noteworthy gesture from marine parks that have earned so much money from cetaceans.” -Erich Hoyt12
“If captive [cetacean] facilities were serious about trying to conserve the species that they possess, they would be focusing on protecting the habitats of populations in the wild and would actively be trying to ensure that their captive-bred animals could be reintroduced, and survive, in the wild.” -Dr. Naomi Rose13
Photo by Adam Ernster from Pexels
The View of Captivity is Changing
The view of orca and cetacean captivity is changing, though more on the western side of the world. As David Neiwert noted, “When we are forced to concede, as with orcas, that we are not unique in our intelligence, that we may not be the only creatures worthy of being considered persons, then we likewise have to reconsider our previous, Western-grown position as special beings somehow separated from nature.”14 But the marine amusement park industry is growing on the eastern side of the world, as I wrote about in a previous article. We, as human beings, have a long way to go in spreading the information and educating others about the problems of cetacean captivity.
“Growing awareness about the problems associated with captive cetaceans have led marine parks around the world to shut down or redefine themselves,” including India and Switzerland, both of which have banned orca captivity.15
The Future of Orcas in Captivity
There are many possibilities of drawing visitors to marine amusement parks without necessarily having real animals, especially ones that do not fare well in captivity. Several scientists have promoted the idea of having visitors view live feeds of wild whales, or offering virtual reality productions. Erich Hoyt wrote in 1992, “Anyone will then be able to experience life in an orca pod, to get a taste of life among wild whales at sea. With such possibilities, marine mammal shows which feature performing orcas will seem as passé as those spectacles of the Roman Colosseum. As public attitudes change, we believe that SeaWorld and other marine parks could make the transition to these new ways of ‘exhibiting’ marine mammals without any loss in admissions.”16 With the technology we now have almost 30 years later, imagine the possibilities!
Life-sized orca models at the Monterey Bay Aquarium. Photo by Thomas Hawk on Flickr, Creative Commons license (CC BY-NC 2.0)
Examples
The Vancouver Aquarium was the first to start changing its programming surrounding orca exhibition. In 1986, the programming featured information about the daily life of orcas and was perhaps the most educational show at any marine park at the time. Then, in 1991, they discontinued scheduled performances, moving away from the circus-like show, and instead offered limited training demonstrations.17 Since 2001, Vancouver Aquarium has not kept any orcas in captivity and has pledged not to capture wild animals. (Note: In April 2021, the pandemic nearly bankrupted the Vancouver Aquarium, so Herschend Enterprises, an American theme park and entertainment company, purchased the aquarium. They also co-own Dollywood, so I hope that they hold true to the Vancouver Aquarium’s ideals.)18
The Monterey Bay Aquarium, which focuses on the complex marine environment of Monterey Bay in California, is a highly successful aquarium with no large captive cetaceans or marine mammals. They have life-sized models and wildlife viewing from their facility.
Some museums offer full-scale models of all types of cetaceans, such as this one. “Blue whale model” at the Natural History Museum in London. Photo by Matt Brown on Flickr, Creative Commons license (CC BY 2.0)
Viewpoints
“We need to realize that these are beings that suffer the same as we suffer, they want freedom the way we want freedom.” -Russell Simmons, music executive19
Orcas were once feared and called ‘killer whales.’ But orcas in captivity changed the view of millions of people. People started to view them as more like playful dolphins that were fun, loveable, and intelligent. “Studies of wild orcas followed – some of the first were to help regulate the number of live captures – and this research gave insight into the lives of the free, wild orcas and led some to question whether orca captures and the practice of keeping them in marine parks should continue.”20 So, in this way, did captivity help this animal?
I don’t believe so. Humpbacks, blue whales, and other large cetaceans aren’t kept captive and people are still drawn to those animals. Interest breeds education and education breeds understanding. Also, the destructive wild captures have decimated some ecotype populations of orcas. Those populations might be fine if the marine amusement park industry hadn’t tried to capture so many, killing some unintentionally along the way.
Photo by Christopher Michel on Flickr, Creative Commons license (CC BY 2.0)
Where do we go from here?
I encourage you to read books, articles, and publications, and watch documentaries about the issues in my Orca Series. I’ve listed many resources throughout my articles in this series. You can follow the organizations trying to help both captive and wild cetaceans and the scientists who work with those organizations. For example, the Whale Sanctuary Project is a proposal to build a large sanctuary for retired cetaceans in Nova Scotia. They have a large team of scientists and professionals and have conducted extensive research in order to build the sanctuary once fundraising is complete. Cetaceans from marine amusement parks will have a safe ocean area to retire to, where scientists will care for and monitor them.21
Ric O’Barry’s Dolphin Project has operated for decades to free dolphins from captivity. They’ve worked tirelessly to close down or prevent from opening dozens of facilities that would have held captive dolphins and whales.22 Those are just two examples. I’ve listed other organizations under Additional Resources.
Don’t support marine amusement parks if you aren’t sure about their practices and ethics. If you don’t want to support a company, don’t buy tickets to any of their parks, as some companies own multiple. SeaWorld Entertainment, for instance, owns 12 parks. Though SeaWorld seems to be improving its practices and being supportive of the ocean and wildlife, they have a ways to go. But they claim that every ticket helps support their rescue operations. What do you think?
“Humans, despite a poor record of respecting the rights of other humans, as well as whales in general…are now in the position of helping or hurting all life on Earth. The question may well become: Can humans be good managers without assuming the traditional role of exploiter?” -Erich Hoyt23
Thank you for reading this series. I hope it’s helped you understand the issues, problems, and potential solutions regarding orca captivity. Please share and subscribe!
Additional Resources:
Blackfish:
Article, “SeaWorld’s ’69 Reasons you Shouldn’t Believe Blackfish’ – My Rebuttal,” Inherently Wild, accessed April 7, 2021. This website also features a full database of captured orcas, deceased orcas, pregnancies, and mother and calf separations.
Webpage, “Blackfish Reviews,” Blackfishmovie.com, accessed April 1, 2021.
Article, “The Blackfish Effect,” The Nonhuman Rights Project blog, December 27, 2013.
Orca performance at SeaWorld San Diego, May 7, 2021. Photo by K M on Flickr, Creative Commons license (CC BY 2.0).
In my series, The Plight of Orcas in Captivity, I have spent a lot of time explaining why I (and many others) believe that SeaWorld and other marine amusement parks should end orca captivity and cetacean performance. However, I’d like to emphasize that I am not anti-SeaWorld across the board. In fact, I believe SeaWorld has a chance to lead the way! They have the audience, expertise, funds, and resources to be leaders in ending such practices. They could be the example of increasing marine amusement park sales without having performing, captive marine mammals. Also, they could become leaders in conservation.
Today, I’ll explore those ideas, as well as what SeaWorld is already doing to change its own image and brand.
Orca performing at SeaWorld San Diego on October 24, 2019. Photo by .Martin. on Flickr, Creative Commons license (CC BY-ND 2.0)
“All the care in the world cannot compensate for the stress brought on by placing a large, highly mobile, highly intelligent, and highly social animal with a complex life into a small concrete tank.”1
SeaWorld in the Last Decade
After the deaths of two orca trainers in late 2009 and early 2010, the Occupational Safety and Health Administration (OSHA) investigated SeaWorld. They found that SeaWorld violated labor and safety laws. They instituted fines and banned “waterwork,” meaning that trainers could no longer swim with the killer whales. In 2013, after Blackfish and several books raised awareness about the harmfulness of orca captivity, SeaWorld’s ticket sales and shares declined steadily. They spent years on an ineffective public-relations campaign, criticizing and trying to discredit the producers of Blackfish, authors of several books, journalists of multiple publications, and former SeaWorld employees. They claimed the information stemming from all of those was agenda-driven. SeaWorld wasted resources on misleading public relations campaigns. That time and energy would have been more useful if directed toward transparency, education, and conservation.
Half-Measures and Misleading Public Relations
In 2015, the state of California proposed banning breeding, restrictions intended to gradually end orca captivity. The then-president of SeaWorld San Diego said that “A ban on breeding would sentence these animals to a slow extinction in our care.”3 Many orca experts and marine biologists found SeaWorld’s breeding practices unethical and inhumane. By 2016, California passed the law and banned the practice through the California Orca Protection Act.5In 2017, SeaWorld San Diego announced that it was ending its breeding program, as if it were a decision they made voluntarily. This “spin” was somewhat misleading because it was driven by legal requirements, it was not a decision made of their own volition.
Image by Aktim from Pixabay
That same year, SeaWorld San Diego announced a new orca experience. The new program “takes place in more natural looking habitats, with a focus on the whales’ natural behaviors” and that it would “include the awe-inspiring moments you love with an added emphasis on education and conservation.”6 However, SeaWorld continued to have the captive orcas perform multiple shows per day and their enclosures did not expand or change.
SeaWorld noted in that same post: “We haven’t collected a whale from the wild in nearly 40 years.” This was, again, misleading in that they didn’t mention that orca captures were banned by the late 1970s in several areas of the world, largely because of marine amusement parks and aquariums. Nor do they include the number of ‘transfers’ they’ve had over the years, which I wrote about in a previous article. In these situations, SeaWorld paid other marine amusement parks to capture whales and then transfer them years later with ‘incomplete’ documentation about the orcas’ origins.
“I have always been told that the truth is the best defense. If you are telling the truth, then there is no defamation.” -Dr. Naomi Rose7
Image by Chris Jones from Pixabay
Conservation in Marine Amusement Parks
Conservation efforts in aquaria and zoos are the most important of all. Though marine amusement parks aren’t quite an aquarium nor a zoo, they fall somewhere in between. Does this mean they should be exempt from having to participate in such efforts? No. In fact, any institution that holds captive animals should take responsibility for those animals in the wild.
Many in the scientific community are skeptical that marine amusement parks are not making real efforts, but merely participating in limited conservation efforts for public relations purposes. As Dr. Naomi Rose noted:
“The one area of activity in which dolphinaria and aquaria can legitimately claim to serve a conservation function is work involving the rescue, rehabilitation, and release of stranded marine animals…But even stranding programs, as they are now conducted, give cause for concern…Often the rescue efforts of the industry seem motivated by the desire to create better public relations…A more subtle facet of the issue is that the public display industry takes every opportunity to use a stranding as proof that marine mammals’ natural habitat is a dangerous place full of human-caused and natural hazards.”8
As noted in The Case Against Marine Mammals in Captivity, only beached, injured, or rescued individuals should be held until released. Those who cannot be released could be exhibited but without making the animals perform. Retained animals should have enclosures that replicate their natural habitats as much as possible.9
“That Should Be The Show”
Marine amusement parks have a unique opportunity now. Conservation is the area where they can make the biggest difference. Ric O’Barry, in A Fall from Freedom, said that many animal rights advocates don’t want to close down marine amusement parks. “Our strategy is to revolutionize them.” Marine parks can play a major role in the rescue, rehabilitation, and release of injured, stranded, and sick species. “That should be the show…not reducing them to performing circus clowns and selling this as education and research.”10
“Some marine parks participate in rescue work and education on conservation issues such as marine pollution and overfishing. These are commendable, but they do not justify displaying cetaceans captive for entertainment purposes. With the technology available today, there are endless possibilities for cruelty-free attractions, experiences and rides that can engage and entertain park guests, and in turn continue to fund rescue and education efforts.” -Ric O’Barry’s Dolphin Project11
Photo by Chad Sparkes on Flickr, Creative Commons license (CC BY 2.0)
SeaWorld’s Potential
In a commentary in the Orlando Sentinel, Brian Ogle, an assistant professor of anthrozoology, wrote that SeaWorld struggles with a “brand-identity crisis.” It was once a theme park based on entertainment but has now switched its identity to more closely align with the increasingly higher standards of the Association of Zoos and Aquariums (AZA). He argued that SeaWorld must work on “creating a balance between a modern theme park and a contemporary zoological facility.” He applauded their marine-life rescue programs but noted that “it must continue to do more.”12
“SeaWorld finds itself uniquely positioned to show the world it remains the industry leader in marine life exhibition and conservation.” -Brian Ogle, assistant professor of anthrozoology at Beacon College in Leesburg13
There are wild animal sanctuaries across the world for retired and rescued animals. Most operate on a non-profit business model, but Dr. Naomi Rose believes that a for-profit model could work for SeaWorld. They could have a sanctuary and rehabilitation center in a coastal area and open it to the public, generating ticket sales and other sources of income. “A visitor’s center can offer education, real-time remote viewing of the animals, a gift shop, and in the case of whales and dolphins can even be a base for responsible whale watching if the sanctuary is in a suitable location for that activity,” she told David Neiwert.14
SeaWorld Today
SeaWorld’s website claims that they are working toward being more environmentally responsible, by reducing single-use plastic straws and shopping bags, investing in renewable energy at one of their parks, reducing their overall waste and emissions, and using water conservation practices such as collecting rainwater and updating landscaping that requires less water. Unfortunately, the link to their Corporate Responsibility Report was broken so I could not review it. I emailed SeaWorld twice requesting the report but they never responded.16
Seaworld today is very different from the SeaWorld’s of the 1960s and 1970s when they were first established. They began as solely an entertainment park, and while that is still their primary purpose, their company statement indicates that their paradigms are shifting:
“SeaWorld Parks & Entertainment is a leading theme park and entertainment company providing experiences that matter and inspiring guests to protect animals and the wild wonders of our world. We are one of the world’s foremost zoological organizations and a global leader in animal husbandry, behavioral management, veterinary care and animal welfare.”17
They want to inspire people to care and protect, which is a goal of many zoos and aquariums. Most wildlife photographers and biologists agree that people will only protect what they can see and love. But there are ways to present these beautiful creatures without keeping them in small pools and making them perform.
Orca performance at SeaWorld San Diego, May 7, 2021. Photo by K M on Flickr, Creative Commons license (CC BY 2.0)
Rescue & Rehabilitation Operations
All SeaWorld and Busch Gardens parks participate in the rescue and rehabilitation of injured or stranded species. From their website:
“The SeaWorld Animal Rehabilitation Program is an important part of SeaWorld’s commitment to conservation, research, and education. Through this program, the SeaWorld animal departments rescue, treat, shelter, and release stranded animals. The main objective of the Rescue and Rehabilitation Program is to return rehabilitated animals to the wild.”
The company considers the program a “valuable scientific resource” because they learn about the biology and ecology of rescued animals and “this information adds to the pool of knowledge necessary to conserve threatened and endangered species.”20According to their website, the SeaWorld and Busch Gardens rescue teams have helped more than 38,000 animals in need since 1965. Where does that number come from? Here is a brief breakdown from their website:
Seaworld’s website provided more detail about the animals they’ve rescued and rehabilitated over the years, although it is not comprehensive.23
Laws and Regulations
SeaWorld is required to follow federal and state regulations regarding animal rescues. They outlined their rehabilitation process and included these statements: “The eventual outcome of an animal depends upon its initial condition when rescued…Rehabilitated marine animals must meet criteria for return established by the National Marine Fisheries Service (NMFS) or the U.S. Fish & Wildlife Service (USFWS).”24 Some might argue that these are justifications for retaining animals for display rather than true rehabilitation. But there is a hierarchy and SeaWorld cannot go rescue an animal without authorization from state and federal agencies. When the latter is notified of an injured or stranded animal, they have a contact list of organizations that can assist, like SeaWorld.
An example was in April 2021, when a boater discovered a sea lion with its head stuck in a buoy. They called the Port of San Diego Harbor Police Department, which contacted SeaWorld San Diego for assistance. The rescue team was able to free the sea lion. Additionally, they tagged the animal with a National Marine Fisheries Service (NMFS) identifier. NMFS is an agency within the National Oceanic and Atmospheric Administration (NOAA), and SeaWorld would not be able to do this without their authorization.25 In fact, NMFS has all three SeaWorld parks listed on their “Report a Stranded or Injured Marine Animal” contact page.26
Rescuing a distressed sea turtle, April 2016. Photo by USFWS – Pacific Region on Flickr, copyrighted by SeaWorld. Creative Commons license (CC BY-NC 2.0)
The Killer Whale Research and Conservation Program
This program is a sector of the National Fish and Wildlife Foundation. It supports efforts to advance the knowledge and conservation of killer whales. They specifically focus on the recovery of the Southern Resident orcas. They partner with SeaWorld, Shell, NOAA, and the U.S. Fish & Wildlife Service. According to the program’s website, “Resident populations of killer whales in the Pacific Northwest saw steep declines in the early 1970s and have failed to recover even with increased management protection since then.”27 They do not address that the steep decline was because of orca captures for marine amusement parks, including SeaWorld. SeaWorld does not directly address this either.
Photo by Bart van meele on Unsplash
Manatees
Organizations such as the Manatee Rescue & Rehabilitation Partnership (MRP) and the Florida Fish and Wildlife Conservation Commission (FWC) regularly work with SeaWorld, in addition to other local and state agencies, to rescue injured and sick animals. Manatees are a threatened species and are often injured by boats and propellers. They’ve also been affected by toxic algae blooms, known as red tides, in Florida.28SeaWorld Orlando has a Manatee Rehabilitation Area that people can visit.
Image by PublicDomainImages from Pixabay
Coral Reefs
SeaWorld has partnered with multiple organizations to help conserve coral reefs. This is especially in regards to the Stony Coral Tissue Loss Disease in Florida reefs. The disease was first discovered in Miami in 2014. It has spread and now affects more than 95% of Florida’s coral reef. The disease has high rates of transmission and mortality and has even traveled to the Caribbean. Numerous institutions and organizations have collaborated to fight the disease to try and save the coral reefs.29
In the meantime, AZA-accredited zoos, aquariums, and marine amusement parks are storing and caring for the rescued coral colonies.30 SeaWorld and Disney are among the organizations that help support the Florida Coral Rescue Center in Orlando, “the nation’s largest caretaker of rescued corals.”31
“Image of Stony Coral Tissue Loss Disease (SCTLD) on a Montastrea cavernosa, common name: Great Star Coral.” Photo by FWC Fish and Wildlife Research Institute on Flickr, Creative Commons license (CC BY-NC-ND 2.0)
Other Partnerships
Other SeaWorld partnerships include the Woods Hole Oceanographic Institution to help save the critically endangered North Atlantic Right Whale;32Rising Tide Conservation;33 The Corkscrew Swamp Sanctuary in the Western Everglades;34 and OCEARCH.35
SeaWorld Busch Gardens Conservation Fund
The SeaWorld Busch Gardens Conservation Fund has donated more than $18 million to projects such as animal conservation projects, coral reef restoration, habitat protection, and clean ocean initiatives. Established in 2003, the non-profit “works with organizations, individuals and experts in the U.S. and around the world to identify the most pressing challenges facing wildlife. The Fund then awards grants to projects focused on protecting wildlife, people and places in ways that are sustainable and long-term.” They partner with more than 40 organizations and universities.
But there are questions about this fund. They have not posted an annual report to their site since 2014. Their website also indicates that they are pausing and will not be accepting new grant applications because they want to “focus on funding pre-selected projects.”36 It is not clear what that means.
“Conservation research only works if it helps animals remain in the wild.” -Ric O’Barry’s Dolphin Project
Photo by Leslie Driskill on Unsplash
Is SeaWorld Changing?
When it comes to performing cetaceans, SeaWorld and other marine amusement parks have a dark history. I hope that era is coming to an end with SeaWorld leading the way. This would go a long way in earning the public’s trust and respect. And while they are not breeding orcas, SeaWorld still holds captive marine mammals that perform daily. SeaWorld should shift its focus away from performing captive animals and animals bred in captivity. They should retire and if possible, release their cetaceans into a sanctuary or their natural habitat. They should make the rescue, rehabilitation, and release of aquatic wildlife the point.
At the beginning of this article, I said that I believe SeaWorld could lead the way in conservation. It turns out that SeaWorld is already doing more than I thought. The company regularly commits time, energy, and resources to rescue, rehabilitation, and conservation efforts. They have many partnerships with organizations that are doing good work as well. So are they on the path to leading? Could it evolve their whole business model?
My hope is that SeaWorld does continue to change for the better. Maybe someday I can feel good about buying a ticket. Thank you for reading, please share and subscribe!
Additional Resources:
Website, Investor Relations, SeaWorld Entertainment, accessed May 31, 2021. This site features information about the company’s financials, stocks, shareholders, governance, annual reports, policies, etc., going back to 2013.
Page, “Federal & State Regulations,” SeaWorld Entertainment, accessed July 8, 2021.
Page, “Marine Mammal Health and Stranding Response Program,” National Marine Fisheries Service, National Oceanic and Atmospheric Administration, accessed June 30, 2021.
Page, “Benefits of Rescue Program,” SeaWorld Entertainment, accessed July 8, 2021. Provides information on what to do if you encounter a stranded or injured animal.
Page, “Florida’s Coral Reef Disease Outbreak: Response,” Florida Keys National Marine Sanctuary, National Oceanic and Atmospheric Administration, accessed June 26, 2021.
Article, “Proposed Pot/Trap Fisheries Regulations to Help Save North Atlantic Right Whales Available for Public Comment,” National Marine Fisheries Service, National Oceanic and Atmospheric Administration, December 30, 2020.
Page, “Restoring Our Reefs,” Fish & Wildlife Foundation of Florida, accessed June 26, 2021.
Florida. – Division of Tourism. Animal trainer riding an orca at the Sea World attraction in Orlando, Florida. 1973 (circa). State Archives of Florida, Florida Memory. <https://www.floridamemory.com/items/show/93877>, accessed 6 May 2021.
“SeaWorld didn’t become a $2.5 billion company because of sequins and choreography. It was built on the backs of captive killer whales.” -John Hargrove1
SeaWorld Then
The first SeaWorld opened in 1964 in San Diego. SeaWorld Ohio followed in 1970 but closed in 2000. The Orlando park opened in 1973, and the San Antonio location in 1988. SeaWorld also has numerous affiliations with other parks, including Loro Parque in Tenerife, Canary Islands.
“SeaWorld was strictly created as entertainment. We didn’t try to wear this false facade of educational significance.” -George Millay, the founder of SeaWorld, 1989
Florida. – Division of Tourism. Orca performing at the Sea World attraction in Orlando, Florida. 1973 (circa). State Archives of Florida, Florida Memory. <https://www.floridamemory.com/items/show/93815>, accessed 6 May 2021.
Shamu family name
Namu was the first performing orca at the Seattle Marine Aquarium. SeaWorld purchased an orca from the owner, Ted Griffin, and also purchased the rights to the name “Shamu,” a combination of “she” and “Namu.” Shamu became the first SeaWorld orca. SeaWorld used the names Shamu and Baby Shamu for marketing purposes and even took out copyrights and trademarks on those names. For decades, people thought that the orcas were the same few that SeaWorld began with in the late 1960s. This left the impression that “Shamu never dies,” as Erich Hoyt wrote.2 Other marine parks have used similar marketing techniques.
But the original Shamu had experienced the harpooning and death of her mother during their captures. Shamu bit three people during her captivity, sending at least one person to the hospital. The orca died four months after that incident in 1971 of septicemia at age nine.3 SeaWorld veterinarians had put her on progesterone to increase her fertility so that they could breed her. But instead, she contracted pyometra, a condition that causes serious infections in the uterus. “In the wild, her grandmother lived to be a hundred.”4 Despite her sad story, Shamu became the brand.
My parents visited SeaWorld Orlando between 1973 and 1976 and saw ‘Shamu’ perform, but it was actually Ramu. They took these photos:
Circumventing capture laws
In the 1970s, after the implementation of import laws and bans on whale and orca captures, marine parks began ‘transferring’ orcas from park to park to circumvent those laws. SeaWorld imported orcas on ‘breeding loans’ where no payment was involved, and they didn’t necessarily return the orcas. “According to researcher Ron Kastelein at Dolfinarium Harderwijk, ‘breeding loan’ is simply industry jargon which means that the first calf becomes the property of the acquiring institution and the second calf goes to the institution that provided the breeding-age male or female. Technically, the breeding animal remains the property of the first company.”5
Other times, marine parks relocated orcas multiple times until their origin was no longer able to be determined because documentation was ‘incomplete.’ Or, SeaWorld paid marine parks in other countries to acquire orcas, and then ‘transfer’ them a few months or even years later. This is often referred to as ‘warehousing’ and has been going since the late 1970s. “While orca care in captivity has improved measurably in the recent past, the industry still regularly engages in appalling practices like ‘whale laundering’ or warehousing orcas captured overseas (orcas are not legally available in U.S. waters) at a windowless backroom tank in another nation until sufficient times passes for it to be imported to a U.S. facility as a transfer, all so the American company doesn’t have to obtain a U.S. capture permit.”6
View showing an Orca whale leaping out of the water during a show at the Sea World attraction in Orlando, Florida. 1976. State Archives of Florida, Florida Memory. <https://www.floridamemory.com/items/show/93860>, accessed 6 May 2021.
Captive Breeding vs. Conservation
The captive breeding programs at SeaWorld and other marine amusement parks were a direct result of bans on captures and the implementation of import laws. The parks had to find other ways to restock their orcas. However, this was the only purpose for captive breeding. “SeaWorld’s definition of ‘captive breeding,’ at least for orcas and bottlenose dolphins, is not the same as that used by the IUCN and other world conservation bodies – because the corporation apparently has no intention of re-introducing species to the wild,” wrote whale researcher, Erich Hoyt.7
In 2015 Joel Manby, the President and Chief Executive Officer of Sea World, said in a statement: “Depriving these social animals of the natural and fundamental right to reproduce is inhumane and we do not support this condition.”8But this was not simply by allowing orcas to mate. SeaWorld trainers artificially inseminate female orcas with the sperm from males also in captivity. SeaWorld’s breeding practices have been called inhumane and questionable by scientists and animal rights groups for decades.
In 2013, it was revealed that Tilikum was the father or grandfather of more than half of SeaWorld’s captive-born orcas. “Tilikum’s value to SeaWorld extends well beyond the raw market; he is, in fact, the cornerstone of the company’s captive-breeding program,” as David Neiwert wrote in 2015.9 Tilikum passed away in 2017 but it is believed that SeaWorld retained multiple samples of his frozen sperm to continue the practice.
“Rather than for conservation, captive cetaceans are bred merely to provide replacement animals for public display—an ongoing need given the high rate of mortality in captivity.”10
Orcas in captivity have a high infant mortality rate. Since 1980, three orcas died within 3 months of birth, and there have been 14 stillbirths and miscarriages. Those are just the documented ones. One sad example is Corky II at SeaWorld San Diego. She “had at least seven unsuccessful pregnancies before she achieved menopause and stopped cycling.”13
Kasatka and Makani. Photo by lolilujah on Flickr, Creative Commons license (CC BY-NC-SA 2.0). Makani’s mother, Kasatka, was an Icelandic orca, her father was the captive Argentinian orca Kshamenk from Mundo Marino. This is a prime example of the interbreeding of orca ecospecies through artificial insemination at SeaWorld and other marine amusement parks.
Mother-Calf Separations
As I wrote about in Part 2 of my orca series, many wild orca offspring stay with their mother and her familial pod for life. Grandmothers and mothers pass on knowledge about everything, including pregnancy, birthing, and raising their own. These skills are lost in captivity because Seaworld separates mothers and calves at a very young age and the young orcas don’t have a chance to learn. They also impregnate the animals at a much younger age than orcas would breed in the wild. These factors lead to high levels of infant mortality.14
“Captive breeding – often cited as a key reason for keeping animals in captivity – is an important part of conservation for some species and there have been notable successes at some zoos…But just keeping an animal in captivity is hardly conservation. In the artificial conditions of a zoo or marine park, an animal cannot continue its evolutionary path. The true measure of success is returning the animal to the wild.”15
“Education”
Many have already documented the lack of education in SeaWorld’s programming and educational materials. SeaWorld trained employees with inaccurate information about lifespan, diet, and environment that they relayed to the public. The company coached employees to circumvent tough questions from inquisitive visitors. They trained them to use semantics to defuse arguments against captivity. For example, orcas exhibit ‘behaviors’ instead of ‘tricks’. “SeaWorld orcas do not live in ‘cages’ or ‘tanks’ in ‘captivity’ and were never ‘captured’ from the ‘wild’; instead, they live in an ‘enclosure’ in a ‘controlled environment’, having been ‘acquired’ from the ‘natural environment.'”16 Recordings of SeaWorld trainers spouting inaccurate information are featured in almost all films about orca captivity.
Dawn Brancheau, October 9, 2006, photo by Ed Schipul on Flickr, Creative Commons license (CC BY 2.0)
Incidents
There were many incidents over the decades at SeaWorld. In 2006, the Occupational Safety and Health Administration (OSHA), whose role is to protect employees, investigated SeaWorld after an incident involving a trainer named Ken Peters. He was taken more than 30 feet down by an orca, suffering injuries and almost drowning. OSHA concluded in 2006 that “‘swimming with captive orcas is inherently dangerous and if someone hasn’t been killed already it is only a matter of time before it does happen.’ This of course turned out to be prophetic, as two trainers were killed by orcas within four years of the state agency issuing this statement.”17
But that incident did not come out publicly until after Dawn Brancheau’s death in 2010, during another OSHA investigation. The footage of the Ken Peters incident was shown at trial in full and leaked to the press (and you can find it online today).
Death
Since the advent of using captive orca for performance, there have been countless trainer injuries and several deaths. In December 2009, an orca named Keto killed Alexis Martínez at Loro Parque. Just a few months later, in February 2010, Tilikum killed Dawn Brancheau. Even more shocking, she was the third person known to have been killed by Tilikum during his captive history. SeaWorld blamed Brancheau for her own death, not once, or even twice – but multiple times. They have since gone back on those statements. But blaming the victim is reprehensible.
After Brancheau’s death, OSHA again investigated and “cited SeaWorld for subjecting employees to a workplace that contained “recognized hazards that were causing or likely to cause death or physical harm to employees” and they were fined the maximum. The long-term result of their unfortunate deaths was that OSHA banned “waterwork,” meaning that trainers can no longer perform in the water or swim with the whales. This was a massive change in the attraction’s main stage. You can learn more about the incident and the OSHA cases in the resources I’ve listed below.
As for the orcas, about 40 have died in SeaWorld parks alone. They could have prevented many of these.
The Blackfish Effect
Businesses like Southwest Airlines and top musicians severed ties to SeaWorld after Blackfish and David Kirby’s book both came out in 2013. Former senior trainer John Hargrove published his book shortly thereafter. The exposure created controversy over the issue of marine mammal captivity that has lasted almost a decade and is sometimes referred to as The Blackfish Effect. SeaWorld’s annual attendance decreased and their shares fell, and it seems that they have never fully recovered.
SeaWorld San Diego, photo by Andrew Van Pernis on Flickr, Creative Commons license (CC BY-NC-ND 2.0)
SeaWorld Now
In 1992, Erich Hoyt wrote: “SeaWorld has borrowed liberally from the wild to fashion its corporate image and to make its millions. Will it one day return something important by restoring an endangered cetacean to its natural habitat?”18 Almost 30 years later, we are still asking the same question. So what is SeaWorld doing today?
While SeaWorld initially resisted the changing views of the public, they have begun embracing those new perspectives. Next, I’ll explain SeaWorld’s changes over the last decade and explore what they are doing today. Thank you for reading, please share and subscribe!
Additional Resources:
Book, Death at SeaWorld: Shamu and the Dark Side of Killer Whales in Captivity by David Kirby, St. Martin’s Press, New York, NY, 2012.
Book, “Beneath the Surface: Killer Whales, SeaWorld, and the Truth Beyond Blackfish,” by John Hargrove, St. Martin’s Press, 2015.
Film, Blackfish, directed by Gabriela Cowperthwaite, 2013.
Report, Rose, N.A. and Parsons, E.C.M. (2019). The Case Against Marine Mammals in Captivity, 5th edition (Washington, DC: Animal Welfare Institute and World Animal Protection), 160 pp.
Book, Of Orcas and Men: What Killer Whales Can Teach Us, by David Neiwert, The Overlook Press, New York, 2015.
Article, “Fate of Orcas in Captivity,” Whale and Dolphin Conservation, accessed May 18, 2021.
Article, “Kavanaugh Sided with Seaworld in ‘Blackfish’ Case,” by Wes Siler, Outside Online, September 27, 2018. Brett Kavanaugh dissented in the OSHA case against SeaWorld.
Page, “Ramu’s Gallery,” Inherently Wild, accessed May 12, 2021.
Article, “Former Orca Trainer For SeaWorld Condemns Its Practices,” NPR, March 23, 2015.
Article, “Blood in the Water,” by Tim Zimmermann, Outside Online, July 15, 2011.
For as long as there have been stories and records about it, whale hunting has always been brutal, barbaric, and gory. Capturing orcas and other marine mammals for sale to aquariums and amusement parks is just as violent and brutal. Whale hunters have used explosives, helicopters, and other fear tactics to separate orcas from their pod. Many orcas have been killed accidentally in the process. Even more reprehensible was the cover-up of those deaths. Whale hunters posthumously cut open dead orcas and stuffed them with rocks to sink their bodies. Additionally, these captures in the 1960s and 1970s greatly reduced the populations of orcas, particularly the Southern Resident orcas.
At least 166 orcas have been taken into captivity from the wild since 1961, and 129 of these orcas are now dead.8 Eventually, laws ended these practices and captures. But this directly led to the establishment of breeding programs at SeaWorld and other marine amusement parks.
“The capture, imprisonment, possession, and profits made from the suffering of Orcas is by every definition – a slave trade. Stolen and forcefully removed from their family and their pods (tribes), trained, and selectively bred to work for the profit of the owners, transported, abused, their lives shortened, the dead outnumbering the living, traded like commodities, deprived of food to force compliance, and paraded before people for amusement…We need to abolish [cetacean] slavery and toss the entire industry into the dustbin of history. It is perversely cruel, unnecessary, unethical, inhumane, and a foul disgrace to humanity.” -Captain Paul Watson, Orcapedia: A Guide to the Victims of the International Orca Slave Trade
Photo by Nitesh Jain on Unsplash
Whale Capture
“Most cetacean capture methods are extremely traumatizing, involving high-speed boat chases and capture teams violently wrestling animals into submission before hauling them onto a boat in a sling and then dumping them into shallow temporary holding tanks or pens.”9
The Vancouver Aquarium
In 1964, the Vancouver Aquarium captured an orca named Moby Doll. He was a male they first believed was female but did not know until after his death that he was, in fact, male. Originally, the aquarium had no intention of capturing an orca. They actually commissioned an artist to kill an orca to use as a body model for a killer whale sculpture. However, after harpooning a young whale and then shooting it several times, the whale did not die. Instead, the orca followed its captors as if on a leash for 16 hours in order to avoid the pain of resistance with the harpoon in his back. The aquarium displayed Moby Doll for scientists and the public to view. He did not eat for 55 days. When he finally started eating, he consumed 200 pounds of fish daily. But he never fully recovered and died after 87 total days of captivity.
“Moby Doll was the first orca ever held in captivity, and his amazing qualities, seen by humans for only those hard last months of his life, started both a new appreciation for orcas and a new industry of catching and displaying the whales for entertainment.”14
The Vancouver Aquarium no longer keeps captive whales. “After Moby Doll, [they] got more orcas and kept at least one in captivity until 2001, when its last orca, an Icelandic whale nicknamed ‘Bjossa,’ was shipped away to SeaWorld in San Diego, where she soon died.”15
Seattle Marine Aquarium at Pier 56
In 1965, Fishermen accidentally caught Namu the orca in their net in Canadian waters. Namu was the first captive performing killer whale. They contacted the owner of the Seattle Marine Aquarium, Ted Griffin, who bought Namu for $8,000. Griffin put him on display. “Crowds flocked to Pier 56 to watch Griffin ride the whale and to see Namu jump on command,” according to The Seattle Times.30 Downtown shops sold Namu souvenirs. There are two songs and a film about Namu.37
“Within a month, Griffin made history, becoming the first human ever known to ride a killer whale…Visitors and the press were crazy for the story of Griffin and Namu.”38
Griffin intended to capture another whale so that Namu would have a mate. Activists and scientists protested. Then two female whales died during Griffin’s effort, which exacerbated the issue. In the midst of that, Griffin received approval to build a new marine park as a new home for Namu. But the project never came to be.39
Proposed “marine park” at Seattle Center, 1966. Image from the Seattle Municipal Archives on Flickr, Creative Commons license (CC BY 2.0).
Namu’s legacy
The success of the aquarium from having Namu “spark[ed] a period of orca captures in the region, when a generation of southern resident killer whales was taken and shipped to aquariums around the world.”40 Other marine amusement parks sought the financial success of having captive performing orcas. Unfortunately, it became an established practice.
“Namu fever stoked an international craze for killer whales to put on exhibit all over the nation and the world. Captors particularly targeted the young, the cheapest to ship.”41
Sadly, Namu died within one year. He drowned after he became entangled in the netting of his pen. The autopsy revealed a massive bacterial infection caused by the raw sewage polluting the bay,42 and this likely contributed to the whale’s disorientation and drowning.43
Ted Griffin continued pursuing orcas and was part of the famous Penn Cove massacre in August 1970 when four orcas were drowned in their nets. In a failed effort to cover up the deaths, Griffin ordered workers to cut the whales open and weigh them down with chains and rocks to sink them. But the corpses were caught in a fisherman’s net and hauled to shore a few months later, and news reporters captured the event. “Griffin lost the stomach for orca captures after the Penn Cove debacle and dropped out after 1972.”44
“Killer Whale (Orcinus orca)” near Kenai Peninsula Borough, Alaska. Photo by Gregory “Slobirdr” Smith on Flickr, Creative Commons license (CC BY-SA 2.0)
“Every one of the fifty Southern Resident whales captured by Ted Griffin and Don Goldsberry from the Puget Sound is now dead, with one exception…Lolita.” -David Neiwert45
The Marine Mammal Protection Act in 1972
In the 1960s and early 1970s, whale captures were largely unregulated and were completely legal. Humans captured hundreds of orcas and thousands of marine mammals during those decades for all types of purposes. Congress passed the Marine Mammal Protection Act in 1972 (MMPA) in direct response to concerns about the effects of human activity on marine mammals. But at the insistence of the theme park industry, Congress gave an exemption for marine mammals in zoos and aquariums, under the facade of ‘for educational purposes.’46 Conservation was the term used to claim these exemptions.
“When drafting the Marine Mammal Protection Act of 1972 (MMPA), members of the US Congress believed, or were lobbied into promoting, the long-accepted view that the public display of wildlife (at facilities such as zoos and aquaria) serves a necessary educational and conservation purpose.”47
The National Oceanic and Atmospheric Administration (NOAA) granted SeaWorld an economic-hardship exemption in 1974. This allowed them to continue the practice of hunting orcas.48 All of this affected the Southern Resident populations.
NOAA grants other exceptions under the MMPA. Examples include scientific research, photography, capture, or first-time imports for public display in aquariums, or rescues.
Photo by Thomas Lipke on Unsplash
Washington State
In 1975, Washington State filed a lawsuit against SeaWorld and in 1976, closed its waters to killer whale captures, a direct reaction to the ridiculous craze for capturing them. “By 1976 some 270 orcas were captured — many multiple times — in the Salish Sea, the transboundary waters between the U.S. and Canada, according to historian Jason Colby at the University of Victoria. At least 12 of those orcas died during capture, and more than 50, mostly Puget Sound’s critically endangered southern residents, were kept for captive display. All are dead by now but one,” referring to Lolita at the Miami Seaquarium.49 Southern Resident orcas lost a third of their population to capture by 1975 and the ecotype has never fully recovered. “Nearly a whole generation of reproduction was represented in the whales captured and killed,” wrote David Neiwert.50 The Southern Residents were classified as endangered in 2005.
Icelandic and North Atlantic captures
Less than 8 months later, SeaWorld and other marine parks moved their capture operations to Icelandic and North Atlantic waters. SeaWorld hired Don Goldsberry, who had been a part of the Puget Sound massacre, to go to those areas.51 “Between 1976 and 1989, at least 54 orcas were captured from Icelandic waters and sold to marine parks around the world. [Seventeen] of those whales ended up at SeaWorld parks.”52 Forty-eight of these orcas have died in captivity.53 Killer whale capture in Iceland ended in 1989 (but whale hunting, in general, began again in 2003).
Tilikum was one of the wild captures from Iceland and the North Atlantic.54 Tilikum was the whale who killed his trainer in 2010 at SeaWorld Orlando and may have been responsible for two other human deaths during his captive history. He passed away in 2017. Whale hunters captured Keiko, the star of Free Willy, from the same area. Kiska, whom I wrote about previously, was also captured there.
“All cetacean capture methods are invasive, stressful, and can potentially be lethal.” -Dr. Naomi A. Rose55
“Orca Whales (Orsinus orca), Marineland, France,” by Spencer Wright on Flickr, Creative Commons license (CC BY 2.0)
After 1989
Laws prohibiting wild captures led to the establishment of captive breeding programs at marine amusement parks. Over the last 40 years, this practice has become the new standard for replenishing orca stock. “One of the keys to SeaWorld’s success was its ability to move away from controversial wild orca captures to captive births in its marine parks. The first captive birth that produced a surviving calf took place at SeaWorld Orlando in 1985. Since then, SeaWorld has relied mostly on captive breeding to stock its parks with killer whales, even mastering the art of artificial insemination.”56
Thankfully, the practice of captive breeding is now ending in the western world. But in other parts of the world, marine amusement parks are growing in popularity. This means wild captures are now on the rise in those areas. In my next article, I’ll share some of this information with you. Thanks for reading, and please share and subscribe!
Additional Resources:
Article, “A Whale of a Business: Laws, Marine Mammal Legislation,” Frontline Online, PBS, accessed March 3, 2021.
Video, “Choosing between hunting & saving whales,” CNN.com, November 18, 2014.
Orca performance at SeaWorld Orlando. Photo by Jo-Anne McArthur / We Animals (https://weanimalsmedia.org/)
As I mentioned in my first article in this series, I grew up loving animals and held a deep respect for zoos and aquariums. My parents took me to our local zoo often as a child. I loved seeing and learning about the vast array of species on our planet. They also took me to Disney World and several other parks in Orlando, but we never made it to SeaWorld. I’ve always wanted to go, and when I became a mother, I mentally added it to the list of places I’d like to take my son. I thought it would be truly awesome to experience.
But marine and ocean-themed amusement parks are often different from zoos and aquariums in that they do not provide anything close to a species’ habitat or natural environment. Established for entertainment purposes first and foremost, they are more amusement parks than aquariums. After learning all that I’ve learned this year, I simply cannot support SeaWorld and similar parks across the world. The lives they live in captivity are analogous to the circus, and I have never supported circuses.
I am choosing to not buy a ticket.
I want to share the resources with you that led me to this decision. But first, let me address SeaWorld and marine parks in general.
“Marine parks differ from zoos in that the animals – whales, dolphins and seals – are performers. This, say critics, puts them squarely in the circus tradition.”-Erich Hoyt1
SeaWorld San Diego, photo by NeONBRAND on Unsplash
SeaWorld as the Representative
Though a very successful business, SeaWorld has always had controversial beliefs and practices. Thad Lacinak, Vice President and Corporate Curator of Animal Training of SeaWorld Orlando from 1973-2008, said in 1989: “You get the so-called environmentalists who say they don’t think the whales like it here, but what proof do they have? Everything we see indicates to me that they don’t sit out in the pool thinking about being out in the ocean– because of the way that they seem to enjoy what we do.”40 I’m not convinced that orcas swimming in a pool with concrete walls and no other species, plant life, or ocean activity taking place is all that interesting compared to the open ocean. But the lack of empathy in that statement is what is most bothersome.
While the issues of captivity occur in all marine parks holding captive marine mammals, SeaWorld is the epitome. The documentary, A Fall from Freedom, called SeaWorld the “largest, wealthiest, and most politically powerful of all marine parks.”
At least 172 orcas have died in captivity, not including 30 miscarried or still-born calves. 92% of SeaWorld’s orcas did not survive past the age of 25 years. -Whale and Dolphin Conservation41
Blackfish
After watching Blackfish, I was intrigued not only by the controversy of captivity but also by the relationships trainers developed with orcas. This film, the most well-known documentary about this subject, told of the dozens of killer whale incidents at SeaWorld, including several deaths. The producers interviewed many former SeaWorld trainers and all shared similar stories. Management routinely omitted information about incidents and provided misinformation about orcas. The work environment elicited a consistent fear of being transferred away from orca work or being let go altogether. The film interviewed marine biologists who have studied wild orcas and found SeaWorld’s “educational” materials offensively inaccurate.
The film highlighted that orcas in captivity behave differently than wild orcas because captivity is traumatizing to them. It brought the issue of keeping them in captivity into the public’s view. This argument had been going on for years between different agencies, scientists, and marine biologists. “Outrage over the film metastasized quickly into calls to prohibit keeping killer whales in captivity,” wrote Michael J. de la Merced in the New York Times.42 The debate continues today but the changes are happening, albeit slowly.
The Killer in the Pool
An article entitled “The Killer in the Pool” written by Tim Zimmerman inspired director and producer Gabriela Cowperthwaite to begin researching Tilikum’s story. The article, written shortly after Dawn Brancheau’s death, detailed the history of orca capture and captivity, as well as marine park practices, trainer injuries, and deaths.43 Cowperthwaite said, “For two years we were bombarded with terrifying facts, autopsy reports, sobbing interviewees and unhappy animals – a place diametrically opposite to its carefully refined image. But as I moved forward, I knew that we had a chance to fix some things that had come unraveled along the way. And that all I had to do was tell the truth.”44 She’s also said in an interview featured in the film Long Gone Wild that she used to take her kids to SeaWorld and now will never buy a ticket again and hopes others will not either.
“If you pen killer whales in a small steel tank, you are imposing an extreme level of sensory deprivation on them. Humans who are subjected to those same conditions become mentally disturbed.” -Paul Spong, the founder of OrcaLab
John Hargrove, SeaWorld “Whistleblower”
Blackfish led me to John Hargrove’s book, Beneath the Surface: Killer Whales, SeaWorld, and the Truth Beyond Blackfish. Hargrove was a senior trainer at SeaWorld and spent 14 years of his life working in the industry. He left the company and became a “whistleblower” and provided even more insight into the practices of SeaWorld. I could hardly put this book down at times, it was so well-written and read almost like a novel.
Hargrove loved orcas from childhood and dreamed of being a trainer someday. While that dream came true and it was thrilling to work with the whales, it was also heartbreaking for him. He left because he was no longer able to go along with SeaWorld’s policies that he considered poor. These surrounded breeding practices, the separations of calves and mothers, and the mistreatment of trainers and animals alike. He loved the whales and had strong bonds with them, especially one named Takara. But he knew that “love alone was not going to save them.” He dedicated his book to all the orcas he swam and built relationships with for many years. “You gave me everything,” he wrote. “But most especially to Takara, who taught me so much and whom I loved the most.”
“It would make my life so much easier if I could say that those animals are thriving in captivity, living happy and enriched lives. Unfortunately, after all the years of experience that I had, I saw the psychological and physical trauma that results from captivity. A massive corporate entity is exploiting the hell out of the whales and the trainers.” -John Hargrove45
David Kirby’s book
Death at SeaWorld: Shamu and the Dark Side of Killer Whales in Captivity by David Kirby was published the same month that Blackfish first aired. Though difficult to read at times, the book was very well researched and well cited. Regardless, I learned a lot from his research. Throughout the book, Kirby followed the life and experience of marine biologist and animal advocate, Dr. Naomi Rose. It introduced many people taking part in this debate including former trainers, eyewitnesses of marine park incidents, animal rights activists, and marine mammal biologists. This book went beyond SeaWorld’s problems and examined the problem of cetacean (whales and dolphins) captivity. It covered the multiple accidents and deaths in marine parks, the OSHA cases against SeaWorld, the media backlash against SeaWorld from Blackfish, and other orca studies across the world. I recommend this book to those who really want to delve into the details of these topics.
Long Gone Wild
This film, released in 2019, focused on the continued plight of captive orcas, picking up where Blackfish left off. The film covered the case against captivity as orcas continue to live in barren concrete tanks. It explained the effects of Blackfish on SeaWorld, as the park took a major hit on attendance and profit. It appealed to its audience to stop supporting SeaWorld – “Don’t buy a ticket.”
The documentary went into depth about the plight of captive marine mammals in Russia and China, triggered by the growth in ocean-themed parks in those regions. It also presented the proposed Whale Sanctuary Project, a seaside sanctuary for retired orcas that would provide a safe, permanent home in their natural habitat.47 There are sanctuaries for elephants, tigers, chimpanzees, and other land mammals, but none for marine mammals in the entire world. I’ll write a post in the near future about the project.
Many orca experts were in the film as well as renowned authors such as David Kirby (mentioned above) and David Neiwert (Of Orcas and Men: What Killer Whales Can Teach Us). It explained the monetary value of the whales and how it has increased over time. Between 1966-1970, dozens of orcas were captured around Puget Sound, Washington, and sold for $30,000 – $50,000 each, some to SeaWorld. In 1976, people captured nine orcas from the seas around Iceland and sold them for $150,000-$300,000 each. Today, the wildlife trade values each orca between $2 million and $7 million dollars.
By the 1980s, wild orca captures had become controversial, especially in Western cultures. SeaWorld realized it would need to rely on breeding in order to have additional orcas for its parks. In 1985, Katina was born, becoming the first “Baby Shamu” for marketing purposes. It was effective. By 1989, SeaWorld had become a billion-dollar corporation.
SeaWorld did not respond to requests for interviews for this film.
The Case Against Marine Mammals in Captivity
I found this publication48 from the Animal Welfare Institute and World Animal Protection, authored by Dr. Naomi A. Rose and Dr. E.C.M. Parsons. This is by far the best report on this subject that I’ve found and at times difficult to stop reading. It is extremely well researched, organized, and written. It addresses the history of the public display industry and marine parks, the capture of cetaceans, conservation issues, animal environment, veterinary care, mortality and birth rates, ethics, swim with dolphins attractions, and the legacy of the film Blackfish. I highly recommend this if you are researching this topic, or even if you are just interested.
“The only hope of winning this war is for the public to stop buying tickets.” -Ric O’Barry, Founder and Director of The Dolphin Project
Orca performance at SeaWorld Orlando. Photo by Jo-Anne McArthur / We Animals (https://weanimalsmedia.org/)
My intention for this post is to make you think about the issue of captivity. Reconsider buying tickets to these parks. I’m going to save my money. Someday I’ll take my son whale watching to witness these beautiful creatures free in their own environment. In my next post, I want to explore the issues in detail. I’ll be using research from the sources I’ve listed in this article and many more. Thanks for reading!
Additional Resources:
A Fall from Freedom from the Discovery Channel was a good film with some dated filmography and interviews. However, I learned more about killer whales, the captive industry, and the people who study them. This film helped me put faces with names that I’d read about in David Kirby’s book.
The Cove, an Academy Award-winning film that heightened public awareness of the global problems surrounding dolphin captivity. From the Oceanic Preservation Society: “A team of activists, filmmakers, and freedivers embark on a covert mission to expose a deadly secret hidden in a remote cove in Taiji, Japan. By utilizing state-of-the-art techniques, they uncover a horrible annual tradition of unparalleled cruelty. A provocative mix of investigative journalism, eco-adventure, and arresting imagery make this an unforgettable and courageous story that inspires outrage and action.” I appreciate this film and think it offers valuable insight. But it was difficult to watch at times due to the graphic nature of the content. The team of people was amazing. They risked their lives to capture the footage and expose the mass murders of dolphins.
Report, The Performing Orca – Why The Show Must Stop: An in-depth review of the captive orca industry, by Erich Hoyt, Whale and Dolphin Conservation Society, January 1, 1992. This is an older publication, but many of the issues are still as relevant today.
Article, “The harmful effects of captivity and chronic stress on the well-being of orcas (Orcinus orca),” Journal of Veterinary Behavior, Volume 35, pages 69-82, January–February 2020.
As far back as I can remember I’ve loved animals, and I’ve always felt the desire to protect them. I’ve never seen an orca in real life and I had always wanted to visit SeaWorld and had even hoped to take my son there one day. Over the last year, I’ve learned a lot about these amazing, majestic, intelligent, and beautiful creatures. But I also learned about the trials, dangers, and cruelty that come with having orcas in captivity. In this series, I’ll explain why I will now never be able to visit SeaWorld.
About Wild Orcas
Orcas, also known as killer whales, are perhaps the smartest species and have a higher emotional capacity than humans. Orcas are the largest members of the dolphin family. There are several types of orcas and they are found in all of the world’s oceans, most abundantly in colder waters like in Antarctica, Norway, and Alaska. What they eat varies by location and pod preference. They live in matrilineal pods that travel between 50 and 100 miles per day. They have complex coordinated hunting techniques, showing a high level of communication. Mothers typically have one calf about every 5 years and calves, particularly males, will stay with their mothers for life. Orcas are apex predators, meaning that there are no animals that prey upon them.
Orcas have large brains and have challenged the belief that humans are the most intelligent species. These social animals have strong bonds with each other, organize for play and hunting, and communicate in ways beyond vocalizations that humans don’t understand. They use echolocation and rely on underwater sound to feed, communicate, and navigate. Even though their vocalizations sound the same to us, each orca pod possesses a unique set of culturally transmitted and learned calls.
“Social life for killer whales…is deeper and more omnipresent than it is for humans; their identities are defined by their families and tribal connections; and their empathy is powerful enough to extend to other species. If orcas have established empathy as a distinctive evolutionary advantage, it might behoove a human race awash in war and psychopathy to pay attention.” -David Neiwert1
There are many ecotypes of orca. The Southern Resident orca, which resides in the Pacific Ocean in areas ranging from central California to southeast Alaska, is critically endangered. There are only 74 individuals (three pods) in the wild as of October 2020. While they are protected, there are always threats stemming from food supply issues; pollution and contaminants in the ocean; global warming; and most importantly, human activities.
Photo by NOAA on Unsplash.
Sound Pollution
Whales are extremely sensitive to sound as they can hear (and feel) much higher ranges than humans, so sound pollution from ships can significantly affect them. The NOAA, National Oceanic and Atmospheric Administration, requests that people choose land-based whale watching because it decreases the number of boats on the water, which reduces underwater noise that can disturb killer whales. The Whale Trail48 includes many land-based observation sites where you can view and learn about over 30 marine mammals, and there are more than 100 shoreside sites in British Columbia, Washington, Oregon, and California.49
One example of human activity and sound pollution comes from our own U.S. Navy, which “has been authorized for decades to conduct local testing and training, which includes firing torpedoes, detonating bombs and piloting drones.” Recently, NOAA Fisheries approved the U.S. Navy to continue military exercises in Puget Sound and coastal Washington waters for an additional 7 years.50 I personally find it very confusing that they permit the Navy to cause such extreme sound pollution but ask that others reduce theirs.
Image by 272447 from Pixabay
“Orcas filter incoming sound through high-quality fat in their lower jaws, and this appears to give them abilities to distinguish sound and where it comes from in ways humans probably can’t visualize.”51
Free Willy, starring Keiko
Though the Free Willy movies came out in the 1990s, I had never seen them. This year, since COVID-19 has kept us home, we’re obviously watching a few more movies than before. We watched three of them and even though these movies are a little dated and a little predictable, I enjoyed watching them with my son.
Afterward, I was curious if they were based on a true story, so I researched a little and found that while the movie was fictional, the starring whale, Keiko, had in fact lived in captivity and had later been freed. I wanted to know Keiko’s story so I watched the 2010 documentary, Keiko: the Untold Story of the Star of Free Willy. Spoiler alert: I cried at Keiko’s death but he had lived in the ocean instead of a small tank for 5 years, and for a year and a half he swam freely in the ocean. He likely would have lived a much shorter life had he remained in captivity.
His release was and still is controversial, but Keiko’s fame, life, and death hold great importance. One article described that “the fight for his freedom and his subsequent release…brought worldwide attention to the welfare of marine mammals in captivity.”54 Keiko will never be forgotten because of his importance in capturing the attention of the world regarding whales in captivity.
“As a retirement project, it was a 100% success. [Keiko] lived in his natural habitat…the health problems he suffered from all cleared up. He thrived for 5 plus years. How is that a failure?” -Dr. Naomi A. Rose
Blackfish
Then I saw Blackfish, twice. I was so intrigued by the relationships trainers develop with these animals. But there is a huge controversy about orcas in captivity. This film told the story of Tilikum, an orca that was involved in the deaths of three people over the course of his captivity. Tilikum killed an experienced trainer in 2010 and her tragic death was highly publicized. The film highlights the fact that SeaWorld blamed her death on her instead of the whale. I’ll explore Blackfish and killer whales in captivity in this series.
Luna the Whale
One of my favorite documentaries was called The Whale, about a wild orca named Luna that tried to befriend humans after becoming separated from his pod. The whale’s behaviors gained fame and soon many people were trying to interact with him. It became controversial because some marine biologists felt that this was not good for the whale. Luna showed the connections between humans and animals.
Michael Parfit, who coauthored The Lost Whale, said this in the film above: “We meet at a dock in Mooyah Bay and we look at each and we recognize something. This isn’t casual stuff, I thought, this isn’t insignificant…I looked at him, I looked at that awareness that looked back at me, and I thought, we’ve treated you with inconsistency, we’ve treated you with disdain, but still, you trust us. How in the world, I thought, will we ever be forgiven by life, by nature, by ourselves – if we let you suffer just because you’re trying to be our friend?” I wept during this film but it made me appreciate these whales even more. They are such beautiful, social, emotional, and intelligent creatures!
“Many people hope that someday we’ll meet an intelligent being from another world. Hollywood tells us this being will come flying down in a spaceship, and he’ll look a bit like us. Most importantly, he’ll have a mind like ours, and we’ll figure out how to communicate right away. But maybe it won’t be like that. Maybe it will be like this” [showing Luna the orca]. -Ryan Reynolds, narrator of The Whale
More on Orcas
There are many documentaries about orcas, and there are also dozens of books about orcas. I’m still trying to read them all. As I do, I’ll update this post and my Books page. I encourage you to learn and read about orcas! Check your local library to see what resources they may offer. Comment below to let me know if there’s a good book you’ve read that you’d like me to know about! Thanks for reading, please subscribe, and look for my upcoming articles on the Blackfish documentary, SeaWorld, and other marine parks.
Additional Resources:
Website, “Orcas (Killer Whales): Facts and Information,” National Geographic, accessed November 30, 2020.
Article, “Endangered orcas at risk from U.S. Navy, activists warn,” by Jeff Berardelli, CBS News, July 31, 2020.
Website, “Meet the Different Types of Orcas,” Whale and Dolphin Conservation, accessed December 9, 2020.
Article, “The Whale Who Would Not Be Freed,” The New York Times, September 16, 2013.
Video, “Freeing Willy,” Retro Report, The New York Times, September 16, 2013.
Article, “How to Watch Whales and Dolphins Responsibly,” Ric O’Barry’s Dolphin Project, accessed January 30, 2021.
Article, “Orca Recovery Day: Why The Whale Trail is greenest way to see marine life in wild,” The Palm Beach Post, October 18, 2019.
Page, “The Luna File,” The Orca Conservancy, accessed May 5, 2021.
Article, “Befriending Luna the Killer Whale: How a popular Smithsonian story about a stranded orca led to a new documentary about humanity’s link to wild animals,” Smithsonian Magazine, April 13, 2008.
Article, “Luna: the Orca Who Wanted to Be Friends,” The Whale Sanctuary Project, accessed May 5, 2021.
Report
Blackfish led me to John Hargrove’s book, Beneath the Surface: Killer Whales, SeaWorld, and the Truth Beyond Blackfish. Hargrove was a senior trainer at SeaWorld and spent 14 years of his life working in the industry. He left the company and became a “whistleblower” and provided even more insight into the practices of SeaWorld. I could hardly put this book down at times, it was so well-written and read almost like a novel.
This film, released in 2019, focused on the continued plight of captive orcas, picking up where Blackfish left off. The film covered the case against captivity as orcas continue to live in barren concrete tanks. It explained the effects of Blackfish on SeaWorld, as the park took a major hit on attendance and profit. It appealed to its audience to stop supporting SeaWorld – “Don’t buy a ticket.”
A Fall from Freedom from the Discovery Channel was a good film with some dated filmography and interviews. However, I learned more about killer whales, the captive industry, and the people who study them. This film helped me put faces with names that I’d read about in David Kirby’s book.
Report, The Performing Orca – Why The Show Must Stop: An in-depth review of the captive orca industry, by Erich Hoyt, Whale and Dolphin Conservation Society, January 1, 1992. This is an older publication, but many of the issues are still as relevant today.
His release was and still is controversial, but Keiko’s fame, life, and death hold great importance. One article described that “the fight for his freedom and his subsequent release…brought worldwide attention to the welfare of marine mammals in captivity.”
Michael Parfit, who coauthored The Lost Whale, said this in the film above: “We meet at a dock in Mooyah Bay and we look at each and we recognize something. This isn’t casual stuff, I thought, this isn’t insignificant…I looked at him, I looked at that awareness that looked back at me, and I thought, we’ve treated you with inconsistency, we’ve treated you with disdain, but still, you trust us. How in the world, I thought, will we ever be forgiven by life, by nature, by ourselves – if we let you suffer just because you’re trying to be our friend?” I wept during this film but it made me appreciate these whales even more. They are such beautiful, social, emotional, and intelligent creatures!