Keiko at the Oregon Coast Aquarium. Photo by Kim Bartlett – Animal People, Inc. on Flickr, Creative Commons license (CC BY-NC 2.0)
When it was released in 1993, the huge success of the film Free Willy was unexpected. Financially, it earned $77 million ($149 million in today’s dollars) at the domestic box office and spawned sequels. More importantly, it created a movement. Some marine biologists, scientists, and animal rights activists had already been advocating for the end of captivity for cetaceans. But Free Willy brought the notion home to children’s minds.
So, what happened to the orca who starred in the film? Keiko was freed from captivity within marine amusement parks. He spent the last years of his life swimming in the open ocean. I’ve put together a short version of his story in this article. But if you want to learn more, there are books and documentaries detailing his story.
Keiko’s Capture & Sale
“Free Willy and its fantasy of an orca simply leaping over a breakwater to freedom notwithstanding, returning orcas to the wild is not a simple thing.”1
Keiko was captured as a very young whale off the coast of Iceland in the late 1970s. He was too young to be away from his mother. Sædýrasafnið, an aquarium in Hafnarfjörður, Iceland (closed in 1987), housed him and trained him to perform tricks.2 In 1982, MarineLand Canada purchased Keiko (and Kiska) from Sædýrasafnið.
MarineLand sold him in 1985 for $350,000 to Reino Aventura (now Six Flags México). This park put him in a tank designed for dolphins, so it was small and shallow. When he was at the surface, his flukes touched the bottom of the pool. His mental health suffered as his only company was sometimes a few dolphins, no other orcas. He wore his teeth down by gnawing the concrete around his tank. He was underweight and had little muscle tone from not having space to swim and dive. His physical health continually declined under their care. After all, this was an Icelandic orca living in Mexico City – an extremely different climate. A veterinarian estimated that if Keiko was kept at the Reino Aventura, he would probably die within a few months.3
A trainer standing on Keiko and Kiska at MarineLand Canada in the early 1980s. Credit: Photos provided by HaH, from Inherently Wild (https://inherentlywild.co.uk/keikos-gallery/).This is the small pool at Six Flags Mexico City, formerly Reino Adventura. Keiko could hardly swim in this dolphin pool. Photo by Rodrigo SanSs on Wikimedia, Creative Commons license (CC BY-SA 3.0).
A Film Project
When Warner Brothers and the producers began looking to audition killer whales for Free Willy, they ran into roadblocks. Twenty-one of the 23 orcas in the United States belonged to SeaWorld, and they declined to allow any orcas to be in any films. “No doubt th[e] villainous portrayal of marine-park owners, as well as the storyline depicting the freeing of a captive orca, had a lot to do with why, when the film’s producers first approached officials at parks such as SeaWorld and the Miami Seaquarium, they were turned away.”4 Any marine amusement park that took on Keiko would have had the line of conversation about freeing orcas permanently opened up.
But when the producers found Keiko and Reino Aventura, which was not in great condition, they asked the owners about auditioning Keiko. Reino Aventura’s owners agreed as it was an opportunity to profit from Keiko. But they may have also hoped that this would get him into a living better situation and prevent his likely slow death. But “none of them were quite prepared for the film’s overwhelming success.”5
The Impact of Free Willy
Numerous articles and TV news stories followed the film’s success, highlighting Keiko’s poor health and living conditions. His tiny pool at Reino Aventura could not even filter out the orca’s daily waste. His skin lesions, caused by papillomavirus, were worsened by the small pool, swimming in his own waste, and from the polluted air of Mexico City.
At the end of the film, the producers had included a message directing those interested in saving the whales to call 1-800-4-WHALES, a number that belonged to the environmental group Earth Island Institute. The overwhelming number of calls from people and the thousands of letters from children surprised everyone. While people cared about whales, many were more interested in saving ‘Willy’ specifically. But no other park or aquarium would take him as a transfer because of fears that his virus would spread to other orcas. But it also could have been bad for public relations.6
“Warner Brothers called us and said—“Oh my god, we’re getting hundreds of calls and thousands and thousands of mailgrams and telegrams and letters from people saying—‘This whale jumped to freedom at the end of Free Willy, but what about the whale in real life?’” -David Phillips7
The Free Willy/Keiko Foundation
In 1994, David Phillips of the Earth Island Institute, with the support of the movie’s producers, formed the Free Willy/Keiko Foundation.8 The mission was to rehabilitate and release or “free” Keiko.
The owners of Reino Aventura agreed to let Keiko go as long as the expenses of relocating and continued care of him could be met. For this, more than a million people came together. People raised money through bake sales and children collected small donations. UPS flew Keiko free of charge. Warner Brothers and New Regency, perhaps under pressure, donated a million dollars. The Humane Society of the United States donated a million. Last, a private foundation donated another million.9
“While not all captive orcas may be viable release candidates and not all captive orcas may ever be released back into the wild, we owe it to them to try and at the very least, retire them and improve their current captive conditions.” -Corrine Henn10
Relocating An Orca, Twice
Keiko jumping out of the water in his sea pen in Iceland. Photo by KE Wiley, reposted from Inherently Wild (https://inherentlywild.co.uk/keikos-gallery/).
“Keiko was a trailblazer for the reintroduction of marine mammals.” -Dave Phillips, Director of the Free Willy-Keiko Foundation11
Keiko was rehabilitated at the Oregon Coast Aquarium from 1996–1998. His health greatly improved and he gained over a thousand pounds. The aquarium’s attendance greatly increased. Though he was on the path to release, there was still controversy. There were some who felt he would not survive in the ocean. There was even “a conspiracy theory circulating in the most radical anti-captivity ranks that Sea World might actually be behind the free-Keiko efforts, knowing that they would fail, thus inoculating amusement parks around the world from an upwelling of liberationist sentiment.” Even in Iceland, there were entities against moving Keiko and others that saw no benefit to having Keiko in a pen in there since it would not be for tourism.12But Icelandic waters were the right area for him to go. The Icelandic government had to be convinced, as did the U.S. Congress, and eventually, they both approved the project.
In 1998, Keiko was relocated to his new sea pen in a bay in Iceland, with the help of Jean-Michel Cousteau’s Ocean Futures Society. The costs of moving him, building the sea pen, and caring for him were astronomical. There are some who criticized the project, then and now, simply because of the high financial costs. But this was always the right thing to do for this orca. As writer Susan Orlean wrote:
“If anyone thought that the money being spent on his rehabilitation was an insane extravagance, they didn’t blame it on the whale: it wasn’t his fault that he was captured to begin with and stuck in a lousy tub in Mexico. It wasn’t his fault that he became a ten-thousand-pound symbol of promises kept (or not) and dreams achieved (or not) and integrity maintained (or not) and nature respected (or not). It also wasn’t his fault that he didn’t know how to blow a bubble-net and trap herring, and it wasn’t his fault that he’d been torn from the bosom of his family at such a young age that now he was a little afraid of wild whales, and that they viewed him as a bit of a freak.”13
Freeing Willy
Keiko spent a couple of years learning to hunt fish and communicate with other whales, under the supervision of humans. In 2002, Keiko left his sea pen for the final time and swam to Norway, eventually settling in the Taknes fjord. While he never reconnected with his original pod, he lived for another full year before succumbing to pneumonia in December 2003. But he never completely stopped desiring human contact. His human caretakers were there until the end, as Keiko viewed them as his companions rather than other orcas. Some look back at this experiment and consider it a failure. However, it was a success story in that Keiko swam freely outside of the confines of a concrete tank for the last years of his life. He swam in the ocean for almost 5 years after more than 20 years in captivity.
“In terms of giving Keiko a better life, it was 100 percent successful.” -Dr. Naomi A. Rose14
Today, David Phillips, who organized Keiko’s rehabilitation and release, is the Treasurer of the Whale Sanctuary Project. He was the Co-Founder and Executive Director of the non-profit organization Earth Island Institute, and he also directs the International Marine Mammal Project (IMMP). Here is his reflection on the Keiko project:
“Most people ran for the hills and wanted nothing to do with Keiko. ‘Are you kidding? We’re going to have to try to convince the Mexican government to give us this 8000 pound orca, and then figure out a way to fly him, and build him a whole new facility for rehab, and then we’re going to have to bring him out of there and try to get him into Iceland? You’d have to be out of your mind. Who’s going to pay for all this? It’s never been done before. Maybe he’s going to die—maybe in transit. Why would the Mexicans give him to us, and why would Iceland let him come in?'”
But for Phillips, Keiko was a success story even though there are still doubters. “We didn’t get to hand pick the best candidate for release. We had Keiko. And his rescue was a big intractable problem where we had to accommodate a lot of risk, and there were going to be people who wouldn’t like what we were going to do at every stage along the way. And that’s part of the deal.”15
Keiko jumping out of the water in his sea pen in Iceland. Photo by KE Wiley, reposted from Inherently Wild (https://inherentlywild.co.uk/keikos-gallery/).
What They Learned From Keiko
Keiko was the first captive orca to use a sea pen for his successful rescue rehab and release effort. The obvious, most important thing they learned from Keiko was that it could be done. Captive cetaceans can be rescued, rehabilitated, and retired.
Scientists and marine biologists learned a lot from Keiko. The orca was able to regain its health in natural seawater after spending years in chemically treated water. He relearned the skills necessary to feed himself and he learned how to interact with wild orcas in his native waters. As noted by the International Marine Mammal Project (IMMP): “Evidence shows that keeping orcas in captivity is inhumane and shortens their lives. During the years in which Keiko was rescued, regained his health and returned to his home waters, seventeen other orcas died in captivity, along with many more captive dolphins and whales. We are proud to have given Keiko the opportunity to live out his life in his home waters.”16 At the time of his death, Keiko was the second longest-lived male orca ever held in captivity. He lived much longer than the average lifespan of male orcas held at SeaWorld.
“Keiko taught us how difficult it is to put one back.” -Charles Vinick, Webinar from The Whale Sanctuary Project17
Keiko the orca at the Oregon Coast Aquarium. Photo by “Kim Bartlett – Animal People, Inc.,” Flickr, Creative Commons license (CC BY-NC 2.0)
Keiko’s Importance
Some say the money spent on setting Keiko free might have been better invested in conservation programs to protect whales and their habitat. But Keiko likely would’ve died shortly after the releases of the Free Willy movies. So the money was worth saving his life. I also believe that what scientists, marine biologists, and other experts learned from Keiko’s experience helps set us up for a better future.
The Whale Sanctuary Project uses Keiko’s story to explain how captive cetaceans can be retired from marine amusement parks. They also view the orca’s journey as a learning platform. This project is made possible because of Keiko’s legacy.
In 2019, Canada banned the practice of keeping cetaceans in captivity and outlawed breeding, trade, possession, and capture of cetaceans. The Canadian media colloquially named it the “Free Willy” bill. While the legislation does not cover cetaceans already in captivity, including Kiska at MarineLand Canada, it is apparent that Keiko’s story extends far beyond the success of Free Willy. Keiko will always be loved, cherished, and remembered. That was his superpower and it is now his legacy.
“The time has come for us to see orcas in captivity as a part of our past – not a tragic part of our future. Let’s end the show now and retire these intelligent, social, complex animals to sea pen sanctuaries.” -Jean-Michel Cousteau18
Webinar, “Reintroducing Keiko (the “Free Willy” whale) to the Wild,” Whale Sanctuary Project, August 7, 2020.
Webinar, “What Is Keiko the Orca’s Legacy?” Whale Sanctuary Project, December 18, 2020.
Article, “Truth About Killing Keiko: What SeaWorld Doesn’t Want You To Know About Freeing Killer Whales,” International Marine Mammal Project (IMMP), April 7, 2015. This article reviews the book, Killing Keiko by Mark Simmons, which scientists argue is biased and not fully factual. The author helped establish Ocean Embassy, a company aimed at catching wild dolphins and selling them to aquariums all over the globe.
An orca through a viewing glass at the Detroit Zoo. Credit: Jo-Anne McArthur / We Animals Media
Today, I want to tell you about an organization that is very dear to me: The Whale Sanctuary Project. This sanctuary will allow captive cetaceans a chance at retiring and living freely. I love the organization’s work, research, scientists, and hold the utmost respect for this project. This is one that I’d appreciate your help in supporting!
If you’ve read my Orca series, then you understand why it is wrong to make them perform for humans and keep them in captivity. Cetaceans cannot thrive in concrete tanks. There just isn’t enough space for them to swim and get enough physical exercise. Years of breeding and artificial insemination caused cetaceans to breed too young, too inexperienced, and without the choice of when and with whom to breed with. Mothers and calves are regularly separated when the calf is only a few years old. Some cetaceans are forced to live alone, causing depression in these highly social, intelligent, and emotional creatures. After decades of observation, it is obvious to many how cetaceans are suffering in marine amusement parks. But now we have a chance to make it right.
“How can it be morally right for us to do to others, even when those others aren’t human, something we would consider devastating if it happened to us? That comparison isn’t anthropomorphism. It’s empathy.” -Dr. Naomi A. Rose4
A beluga whale on display at MarineLand Canada. Credit: Jo-Anne McArthur / We Animals Media
Purpose of a Sanctuary
There are sanctuaries for all kinds of animals including horses, elephants, primates, pigs, dogs, and birds. Many animals retired from farm life, circuses, and zoos reside in sanctuaries. But there has never been a sanctuary for whales and orcas. What better time than now?
The Whale Sanctuary Project “is the first organization focused solely on creating seaside sanctuaries in North America for whales, dolphins, and porpoises who are being retired from entertainment facilities or have been rescued from the ocean and need rehabilitation or permanent care.”12 Most people now understand that cetaceans in marine amusement parks are akin to performing circus animals. However, even if these animals are retired from performing, there is no place for them to go. A sea sanctuary will completely change that.
“Our vision is of a world in which all cetaceans (whales, dolphins and porpoises) are treated with respect and are no longer confined to concrete tanks in entertainment parks and aquariums.”-The Whale Sanctuary Project13
About The Whale Sanctuary Project (WSP)
View of the perimeter net that defines the sanctuary space at the Port Hilford site. Image courtesy of The Whale Sanctuary Project.
The WSP formed in 2016. In 2020, after years of research, exploration, and fundraising, the WSP selected a 100-acre site for the sanctuary at Port Hilford, Nova Scotia. This is an ideal location because it fulfilled the WSP’s principal considerations: “It offered an expansive area that can be netted off for the whales in a bay that’s open to the ocean but was sheltered from storms. It had access to necessary infrastructure and plenty of room along the shore for the facilities that would be needed to care for the animals.” And the Sherbrooke area locals are very supportive.14
The seaside sanctuary will be 300 times bigger than the typical concrete tank. It will be more natural than tanks in terms of acoustics, water quality, and habitat surroundings (plant and animal species that share the space).15 The cetaceans will be able to swim further and dive deeper, thus getting the exercise their bodies need. “The goal is to offer captive orcas and beluga whales a natural environment that maximizes their opportunities for autonomy, exploration, play, rest, and socializing.”16They’ll be able to make their own decisions, feed themselves, and most importantly – they won’t be required to perform like circus animals.
“We can’t undo all the harm we’ve inflicted on cetaceans by keeping them in captivity, but by providing them with seaside sanctuaries, we can improve their quality of life. That is our goal.” -Dr. Naomi A. Rose17
Image by Victor Cardella from Pixabay
Sanctuary Squashes Argument For Captivity
SeaWorld and other marine amusement parks have always indicated that it would be cruel to set captive orcas free into the ocean because they have been in captivity too long. This is partially true. Like animals in other sanctuaries, captive cetaceans cannot be returned to the wild. They may not be able to survive without some care and monitoring. They may not know how to hunt or socialize, and they may never find their original familial pod. Captive cetaceans may be attached to humans for food and social needs. Many captive orcas have dental problems and other health issues. Obviously, captive-born whales are not candidates for release into the wild. But a sanctuary is another story and is a real possibility.19
The Whale Sanctuary Project will change everything.
“The science tells us that these animals – dolphins and whales – cannot thrive in concrete tanks and theme parks and aquariums.” -Dr. Lori Marino20
Setting The Example
Image by JensG from Pixabay
“There are more than 3,600 whales, dolphins and porpoises held in tanks. To end captivity, we need to find somewhere for them to go. But it’s not easy. You can’t just take a whale or dolphin out of a captive environment and return them to the ocean. Some may need human care for the rest of their lives, and those who are suitable for a return to the wild will need to re-learn the skills they will need to survive.” -Whale and Dolphin Conservation21
There are 58-60 orcas and more than 300 belugas at marine amusement parks and aquariums. Other species include different species of whales, dolphins, and porpoises. Hundreds of dolphins are held at vacation resorts that offer “Dolphin-Assisted Therapy” and “Swim-with-Dolphins” programs.22 Most of the orcas at parks are candidates for the sanctuary, but it cannot provide a home to hundreds of cetaceans. “While our primary focus is the creation of the sanctuary in Nova Scotia, every aspect of it is designed with the larger purpose of its being a model for other and future sanctuaries around the world.”23
The WSP will provide additional support for cetaceans in situations that do not include its sanctuary through its Whale Aid programs. These programs “range from rescuing and rehabilitating ocean-going whales to developing complete plans for other organizations that are working to retire captive whale and dolphins to sanctuaries. Our Whale Aid team comprises experts from around the world in fields ranging from veterinary care to transport to construction and engineering.”24 The Whale Aid program will assist Lolita/Tokitae at the Miami Seaquarium. Working with the Lummi Nation of the Pacific Northwest, she will be returned to the Salish Sea from which she was born, if the Miami Seaquarium ever relinquishes her.25
If marine amusement parks and aquariums partnered or even just participated with the Whale Sanctuary Project, they could have a huge impact on the whales’ lives, conservation, and even their own public relations. It “would be a powerful legacy for the marine park that released them – a real example of conservation and education in practice.”26
“If seaside sanctuaries function as intended, eventually they will no longer hold any retired captive cetaceans. However, they will also serve as rehabilitation centers for stranded cetaceans, even during the period when they have ‘retirees’ as residents. And they will be able to serve this purpose in perpetuity.” -Dr. Naomi A. Rose27
Image by Chris Amos from Pixabay
Support This Project & Learn More
“Sanctuaries strive to go out of business.” -Dr. Ingrid Visser
Though a new movement, the WSP isn’t the only sanctuary in the works. Clearly, there’s a need for sanctuaries for marine mammals. The Sea Life Trust Beluga Whale Sanctuary opened in Iceland in the spring of 2019. They care for two female beluga whales who came from Changfeng Ocean World in Shanghai, China. In addition, they partner with another organization to rescue puffins.28 There have been proposals for a Dolphin Sea Refuge in Italy and for a South Atlantic Whale Sanctuary.29
“We’ll spend less on building a sanctuary than a marine park would…spend building the next small concrete tank.” -Charles Vinick, Whale Sanctuary Project30
The Whale Sanctuary Project’s new Operation Centre. Image courtesy of The Whale Sanctuary Project.
The WSP had the grand opening of the Operations Centre on October 29, 2021. It is located in the small town of Sherbrooke, about 20 minutes from the sanctuary site in Port Hilford Bay. This center, to which I proudly donated a small amount toward its opening, is the WSP’s home base for all of the design, engineering, and construction of the sanctuary. It will also serve as a welcome center and it has lodging for two visiting staff members and advisors.31 Going forward, they will focus on the construction of the sea pen.
I encourage you to continue to learn more about the problem of captive cetaceans, and I hope you can support The Whale Sanctuary Project with me! Thank you for reading, please share and subscribe!
Logo courtesy of The Whale Sanctuary Project.
“Recovering our humanity may be the real gift of the orcas, what they can teach us. It’s our choice whether to listen.” -David Neiwert32
Additional Resources:
Guide to my Orca Series, to learn more about captive orcas.
Video, “Whales Without Walls,” Charles Vinick, TEDxSantaBarbara, December 18, 2017.
Page, Deeper Dive, The Whale Sanctuary Project. Features scientific studies on cetaceans.
Page, “Live Series” of Webinars and Conversations, The Whale Sanctuary Project.
Video, “Let’s Throw Shamu a Retirement Party,” Dr. Naomi A. Rose, TEDxBend, May 25, 2015.
Orca performance at SeaWorld San Diego, May 7, 2021. Photo by K M on Flickr, Creative Commons license (CC BY 2.0).
In my series, The Plight of Orcas in Captivity, I have spent a lot of time explaining why I (and many others) believe that SeaWorld and other marine amusement parks should end orca captivity and cetacean performance. However, I’d like to emphasize that I am not anti-SeaWorld across the board. In fact, I believe SeaWorld has a chance to lead the way! They have the audience, expertise, funds, and resources to be leaders in ending such practices. They could be the example of increasing marine amusement park sales without having performing, captive marine mammals. Also, they could become leaders in conservation.
Today, I’ll explore those ideas, as well as what SeaWorld is already doing to change its own image and brand.
Orca performing at SeaWorld San Diego on October 24, 2019. Photo by .Martin. on Flickr, Creative Commons license (CC BY-ND 2.0)
“All the care in the world cannot compensate for the stress brought on by placing a large, highly mobile, highly intelligent, and highly social animal with a complex life into a small concrete tank.”1
SeaWorld in the Last Decade
After the deaths of two orca trainers in late 2009 and early 2010, the Occupational Safety and Health Administration (OSHA) investigated SeaWorld. They found that SeaWorld violated labor and safety laws. They instituted fines and banned “waterwork,” meaning that trainers could no longer swim with the killer whales. In 2013, after Blackfish and several books raised awareness about the harmfulness of orca captivity, SeaWorld’s ticket sales and shares declined steadily. They spent years on an ineffective public-relations campaign, criticizing and trying to discredit the producers of Blackfish, authors of several books, journalists of multiple publications, and former SeaWorld employees. They claimed the information stemming from all of those was agenda-driven. SeaWorld wasted resources on misleading public relations campaigns. That time and energy would have been more useful if directed toward transparency, education, and conservation.
Half-Measures and Misleading Public Relations
In 2015, the state of California proposed banning breeding, restrictions intended to gradually end orca captivity. The then-president of SeaWorld San Diego said that “A ban on breeding would sentence these animals to a slow extinction in our care.”27 Many orca experts and marine biologists found SeaWorld’s breeding practices unethical and inhumane. By 2016, California passed the law and banned the practice through the California Orca Protection Act.32In 2017, SeaWorld San Diego announced that it was ending its breeding program, as if it were a decision they made voluntarily. This “spin” was somewhat misleading because it was driven by legal requirements, it was not a decision made of their own volition.
Image by Aktim from Pixabay
That same year, SeaWorld San Diego announced a new orca experience. The new program “takes place in more natural looking habitats, with a focus on the whales’ natural behaviors” and that it would “include the awe-inspiring moments you love with an added emphasis on education and conservation.”33 However, SeaWorld continued to have the captive orcas perform multiple shows per day and their enclosures did not expand or change.
SeaWorld noted in that same post: “We haven’t collected a whale from the wild in nearly 40 years.” This was, again, misleading in that they didn’t mention that orca captures were banned by the late 1970s in several areas of the world, largely because of marine amusement parks and aquariums. Nor do they include the number of ‘transfers’ they’ve had over the years, which I wrote about in a previous article. In these situations, SeaWorld paid other marine amusement parks to capture whales and then transfer them years later with ‘incomplete’ documentation about the orcas’ origins.
“I have always been told that the truth is the best defense. If you are telling the truth, then there is no defamation.” -Dr. Naomi Rose34
Image by Chris Jones from Pixabay
Conservation in Marine Amusement Parks
Conservation efforts in aquaria and zoos are the most important of all. Though marine amusement parks aren’t quite an aquarium nor a zoo, they fall somewhere in between. Does this mean they should be exempt from having to participate in such efforts? No. In fact, any institution that holds captive animals should take responsibility for those animals in the wild.
Many in the scientific community are skeptical that marine amusement parks are not making real efforts, but merely participating in limited conservation efforts for public relations purposes. As Dr. Naomi Rose noted:
“The one area of activity in which dolphinaria and aquaria can legitimately claim to serve a conservation function is work involving the rescue, rehabilitation, and release of stranded marine animals…But even stranding programs, as they are now conducted, give cause for concern…Often the rescue efforts of the industry seem motivated by the desire to create better public relations…A more subtle facet of the issue is that the public display industry takes every opportunity to use a stranding as proof that marine mammals’ natural habitat is a dangerous place full of human-caused and natural hazards.”35
As noted in The Case Against Marine Mammals in Captivity, only beached, injured, or rescued individuals should be held until released. Those who cannot be released could be exhibited but without making the animals perform. Retained animals should have enclosures that replicate their natural habitats as much as possible.36
“That Should Be The Show”
Marine amusement parks have a unique opportunity now. Conservation is the area where they can make the biggest difference. Ric O’Barry, in A Fall from Freedom, said that many animal rights advocates don’t want to close down marine amusement parks. “Our strategy is to revolutionize them.” Marine parks can play a major role in the rescue, rehabilitation, and release of injured, stranded, and sick species. “That should be the show…not reducing them to performing circus clowns and selling this as education and research.”37
“Some marine parks participate in rescue work and education on conservation issues such as marine pollution and overfishing. These are commendable, but they do not justify displaying cetaceans captive for entertainment purposes. With the technology available today, there are endless possibilities for cruelty-free attractions, experiences and rides that can engage and entertain park guests, and in turn continue to fund rescue and education efforts.” -Ric O’Barry’s Dolphin Project38
Photo by Chad Sparkes on Flickr, Creative Commons license (CC BY 2.0)
SeaWorld’s Potential
In a commentary in the Orlando Sentinel, Brian Ogle, an assistant professor of anthrozoology, wrote that SeaWorld struggles with a “brand-identity crisis.” It was once a theme park based on entertainment but has now switched its identity to more closely align with the increasingly higher standards of the Association of Zoos and Aquariums (AZA). He argued that SeaWorld must work on “creating a balance between a modern theme park and a contemporary zoological facility.” He applauded their marine-life rescue programs but noted that “it must continue to do more.”39
“SeaWorld finds itself uniquely positioned to show the world it remains the industry leader in marine life exhibition and conservation.” -Brian Ogle, assistant professor of anthrozoology at Beacon College in Leesburg40
There are wild animal sanctuaries across the world for retired and rescued animals. Most operate on a non-profit business model, but Dr. Naomi Rose believes that a for-profit model could work for SeaWorld. They could have a sanctuary and rehabilitation center in a coastal area and open it to the public, generating ticket sales and other sources of income. “A visitor’s center can offer education, real-time remote viewing of the animals, a gift shop, and in the case of whales and dolphins can even be a base for responsible whale watching if the sanctuary is in a suitable location for that activity,” she told David Neiwert.41
SeaWorld Today
SeaWorld’s website claims that they are working toward being more environmentally responsible, by reducing single-use plastic straws and shopping bags, investing in renewable energy at one of their parks, reducing their overall waste and emissions, and using water conservation practices such as collecting rainwater and updating landscaping that requires less water. Unfortunately, the link to their Corporate Responsibility Report was broken so I could not review it. I emailed SeaWorld twice requesting the report but they never responded.42
Seaworld today is very different from the SeaWorld’s of the 1960s and 1970s when they were first established. They began as solely an entertainment park, and while that is still their primary purpose, their company statement indicates that their paradigms are shifting:
“SeaWorld Parks & Entertainment is a leading theme park and entertainment company providing experiences that matter and inspiring guests to protect animals and the wild wonders of our world. We are one of the world’s foremost zoological organizations and a global leader in animal husbandry, behavioral management, veterinary care and animal welfare.”43
They want to inspire people to care and protect, which is a goal of many zoos and aquariums. Most wildlife photographers and biologists agree that people will only protect what they can see and love. But there are ways to present these beautiful creatures without keeping them in small pools and making them perform.
Orca performance at SeaWorld San Diego, May 7, 2021. Photo by K M on Flickr, Creative Commons license (CC BY 2.0)
Rescue & Rehabilitation Operations
All SeaWorld and Busch Gardens parks participate in the rescue and rehabilitation of injured or stranded species. From their website:
“The SeaWorld Animal Rehabilitation Program is an important part of SeaWorld’s commitment to conservation, research, and education. Through this program, the SeaWorld animal departments rescue, treat, shelter, and release stranded animals. The main objective of the Rescue and Rehabilitation Program is to return rehabilitated animals to the wild.”
The company considers the program a “valuable scientific resource” because they learn about the biology and ecology of rescued animals and “this information adds to the pool of knowledge necessary to conserve threatened and endangered species.”44According to their website, the SeaWorld and Busch Gardens rescue teams have helped more than 38,000 animals in need since 1965. Where does that number come from? Here is a brief breakdown from their website:
Seaworld’s website provided more detail about the animals they’ve rescued and rehabilitated over the years, although it is not comprehensive.45
Laws and Regulations
SeaWorld is required to follow federal and state regulations regarding animal rescues. They outlined their rehabilitation process and included these statements: “The eventual outcome of an animal depends upon its initial condition when rescued…Rehabilitated marine animals must meet criteria for return established by the National Marine Fisheries Service (NMFS) or the U.S. Fish & Wildlife Service (USFWS).”46 Some might argue that these are justifications for retaining animals for display rather than true rehabilitation. But there is a hierarchy and SeaWorld cannot go rescue an animal without authorization from state and federal agencies. When the latter is notified of an injured or stranded animal, they have a contact list of organizations that can assist, like SeaWorld.
An example was in April 2021, when a boater discovered a sea lion with its head stuck in a buoy. They called the Port of San Diego Harbor Police Department, which contacted SeaWorld San Diego for assistance. The rescue team was able to free the sea lion. Additionally, they tagged the animal with a National Marine Fisheries Service (NMFS) identifier. NMFS is an agency within the National Oceanic and Atmospheric Administration (NOAA), and SeaWorld would not be able to do this without their authorization.47 In fact, NMFS has all three SeaWorld parks listed on their “Report a Stranded or Injured Marine Animal” contact page.48
Rescuing a distressed sea turtle, April 2016. Photo by USFWS – Pacific Region on Flickr, copyrighted by SeaWorld. Creative Commons license (CC BY-NC 2.0)
The Killer Whale Research and Conservation Program
This program is a sector of the National Fish and Wildlife Foundation. It supports efforts to advance the knowledge and conservation of killer whales. They specifically focus on the recovery of the Southern Resident orcas. They partner with SeaWorld, Shell, NOAA, and the U.S. Fish & Wildlife Service. According to the program’s website, “Resident populations of killer whales in the Pacific Northwest saw steep declines in the early 1970s and have failed to recover even with increased management protection since then.”49 They do not address that the steep decline was because of orca captures for marine amusement parks, including SeaWorld. SeaWorld does not directly address this either.
Photo by Bart van meele on Unsplash
Manatees
Organizations such as the Manatee Rescue & Rehabilitation Partnership (MRP) and the Florida Fish and Wildlife Conservation Commission (FWC) regularly work with SeaWorld, in addition to other local and state agencies, to rescue injured and sick animals. Manatees are a threatened species and are often injured by boats and propellers. They’ve also been affected by toxic algae blooms, known as red tides, in Florida.50SeaWorld Orlando has a Manatee Rehabilitation Area that people can visit.
Image by PublicDomainImages from Pixabay
Coral Reefs
SeaWorld has partnered with multiple organizations to help conserve coral reefs. This is especially in regards to the Stony Coral Tissue Loss Disease in Florida reefs. The disease was first discovered in Miami in 2014. It has spread and now affects more than 95% of Florida’s coral reef. The disease has high rates of transmission and mortality and has even traveled to the Caribbean. Numerous institutions and organizations have collaborated to fight the disease to try and save the coral reefs.51
In the meantime, AZA-accredited zoos, aquariums, and marine amusement parks are storing and caring for the rescued coral colonies.52 SeaWorld and Disney are among the organizations that help support the Florida Coral Rescue Center in Orlando, “the nation’s largest caretaker of rescued corals.”53
“Image of Stony Coral Tissue Loss Disease (SCTLD) on a Montastrea cavernosa, common name: Great Star Coral.” Photo by FWC Fish and Wildlife Research Institute on Flickr, Creative Commons license (CC BY-NC-ND 2.0)
Other Partnerships
Other SeaWorld partnerships include the Woods Hole Oceanographic Institution to help save the critically endangered North Atlantic Right Whale;54Rising Tide Conservation;55 The Corkscrew Swamp Sanctuary in the Western Everglades;56 and OCEARCH.57
SeaWorld Busch Gardens Conservation Fund
The SeaWorld Busch Gardens Conservation Fund has donated more than $18 million to projects such as animal conservation projects, coral reef restoration, habitat protection, and clean ocean initiatives. Established in 2003, the non-profit “works with organizations, individuals and experts in the U.S. and around the world to identify the most pressing challenges facing wildlife. The Fund then awards grants to projects focused on protecting wildlife, people and places in ways that are sustainable and long-term.” They partner with more than 40 organizations and universities.
But there are questions about this fund. They have not posted an annual report to their site since 2014. Their website also indicates that they are pausing and will not be accepting new grant applications because they want to “focus on funding pre-selected projects.”58 It is not clear what that means.
“Conservation research only works if it helps animals remain in the wild.” -Ric O’Barry’s Dolphin Project
Photo by Leslie Driskill on Unsplash
Is SeaWorld Changing?
When it comes to performing cetaceans, SeaWorld and other marine amusement parks have a dark history. I hope that era is coming to an end with SeaWorld leading the way. This would go a long way in earning the public’s trust and respect. And while they are not breeding orcas, SeaWorld still holds captive marine mammals that perform daily. SeaWorld should shift its focus away from performing captive animals and animals bred in captivity. They should retire and if possible, release their cetaceans into a sanctuary or their natural habitat. They should make the rescue, rehabilitation, and release of aquatic wildlife the point.
At the beginning of this article, I said that I believe SeaWorld could lead the way in conservation. It turns out that SeaWorld is already doing more than I thought. The company regularly commits time, energy, and resources to rescue, rehabilitation, and conservation efforts. They have many partnerships with organizations that are doing good work as well. So are they on the path to leading? Could it evolve their whole business model?
My hope is that SeaWorld does continue to change for the better. Maybe someday I can feel good about buying a ticket. Thank you for reading, please share and subscribe!
Additional Resources:
Website, Investor Relations, SeaWorld Entertainment, accessed May 31, 2021. This site features information about the company’s financials, stocks, shareholders, governance, annual reports, policies, etc., going back to 2013.
Page, “Federal & State Regulations,” SeaWorld Entertainment, accessed July 8, 2021.
Page, “Marine Mammal Health and Stranding Response Program,” National Marine Fisheries Service, National Oceanic and Atmospheric Administration, accessed June 30, 2021.
Page, “Benefits of Rescue Program,” SeaWorld Entertainment, accessed July 8, 2021. Provides information on what to do if you encounter a stranded or injured animal.
Page, “Florida’s Coral Reef Disease Outbreak: Response,” Florida Keys National Marine Sanctuary, National Oceanic and Atmospheric Administration, accessed June 26, 2021.
Article, “Proposed Pot/Trap Fisheries Regulations to Help Save North Atlantic Right Whales Available for Public Comment,” National Marine Fisheries Service, National Oceanic and Atmospheric Administration, December 30, 2020.
Page, “Restoring Our Reefs,” Fish & Wildlife Foundation of Florida, accessed June 26, 2021.
“20140707 Port of Nagoya Aquarium 1,” photo by Bong Grit on Flickr, Creative Commons license (CC BY-NC-ND 2.0). This aquarium opened in 1992 and has had several orcas over the past 20 years. They currently have three.
The marine amusement park industry is thriving on the eastern side of the world, due to economic growth and an expanding middle class stimulating the entertainment industry. This means cetacean captivity has also increased in countries such as Russia, China, and Japan. As I mentioned in a previous article, wild captures of orcas have been outlawed or restricted in many parts of the world. However, the growth in marine amusement parks coupled with an absence of restrictions has led to a renewed increased in wild cetacean captures. It has also, unfortunately, prompted the creation of breeding programs in the eastern world, just when the western side is finally addressing the end of such practices.
“I foresee SeaWorld expanding overseas, where it would no longer be beholden to pressure from US legislators and public opinion. The premise of the company – to make money off the façade of conservation – has not changed from the 1960s and 1970s. And, if Americans learn to see through the terminology – ‘conservation through education’; ‘raising awareness for the species’; ‘in the care of man’ – then there will be fresh audiences overseas who may still buy into the mythology.” -John Hargrove, former SeaWorld senior trainer36
Sea World Kamogawa orca show. Image by Hetarllen Mumriken on Flickr, Creative Commons license (CC BY-SA 2.0)
The Potential For Endangering Populations
Russian fishermen can catch belugas and orcas with a permit for ‘science and education’ under an allowable quota. But some believe that Russian orcas, which can sell for millions of dollars, are caught illegally and exported to China.40According to the Far East Russia Orca Project (FEROP), in 2012, an industry for captive marine mammals started up in the Russian Okhotsk Sea. Since then, whale hunters have caught and sold at least 29 orcas to four marine facilities in China and Russia.41
Orcas in those areas are transients and are thought to have smaller populations than resident killer whales. This renewed whale hunting could quickly move these animals toward extinction in the wild.52 But it is unknown exactly how many transient orcas reside in the Okhotsk Sea, so it is impossible to measure the potential long-term effect of these captures.59
“China’s marine park industry got started only about ten years ago…whereas people in the West have been familiar with marine entertainment for decades.”60
Sea World Kamogawa in Japan. Image by Jason Robins from Pixabay. This facility has four orcas.
China
In China alone in the last five years, about 30 new marine amusement parks and dolphinariums have opened. This brings the country’s total to over 80 parks. There are plans to open approximately another 25 parks. The China Cetacean Alliance estimates that combined, these facilities have at least 1,000 cetaceans in captivity,61 and most were wild captures imported primarily from Japan and Russia.62 China also has no federal animal welfare laws.
“China appears to be immune to the ‘Blackfish effect,’ the term often used to describe the public’s response to the film…Chimelong [Ocean Kingdom] has paved the way for more orca breeding in China.”63
Chimelong Ocean Kingdom in China
This park opened in 2014 and is often referred to as the world’s largest aquarium. It is part of a larger tourist resort that mimics Orlando, Florida. They currently hold at least 9 captive orcas, but they may have additional whales that are not publicly displayed. The park began a breeding program in 2017, a year after SeaWorld announced they would end their captive orca breeding program.64 This park attracted more than 10 million visitors in 2018, so the business is thriving.
Photo of Chimelong Ocean Kingdom, by xiquinhosilva on Flickr, Creative Commons license (CC BY 2.0)
Moskvarium, Moscow, Russia
This facility opened in 2015 and has three captive killer whales performing in daily shows. When it was under construction, Erich Hoyt of FEROP said that it appeared that they were “enamored with the SeaWorld approach so I would expect loud music, the usual jumping through hoops and other circus-type routines,” as well as a breeding program like SeaWorld’s.65 If you look at videos online from people who’ve attended, it is exactly what Hoyt described.
Their website also shows that their focus is on entertainment, with learning as an afterthought: “Here you can spend all day: take a walk around the Aquarium, see a fantastic water show, have a bite at one of the many cafes and restaurants. Besides, it is not only a good place to entertain yourself, but also to gain some knowledge and experience in scientific work with unique opportunities to study marine biodiversity.”66
“Moskvarium Orcas,” photo by Kenny Grady on Flickr, Creative Commons license (CC BY-ND 2.0)
“Marine parks and shows make great attractions. Enamored and awed by the creatures, most people fail to realize the animals’ plight. In the news, training facilities are portrayed as caring institutions, marine mammals as happy, and their arrivals as celebratory events.”67
The Future
In 2018, the infamous Russian “whale jail” made worldwide headlines. Whale hunters illegally captured around 11 orcas and 87 belugas and held them in a series of small cells in Sreadnyaya Bay near Vladivostok. Fortunately, by 2020, the captors eventually released most of these animals but only after intense activism, investigations, and legal proceedings.68 But there are marine amusement parks in Russia, Japan, and China that are still seeking orca and beluga stock. This is what perpetuates these captures and places a high monetary value on their lives.
If you want additional information about captive orcas worldwide, Inherently Wild maintains a page on its website listing all known captured orca.69
How do we stop this practice worldwide? Is it through education, legislation, or activism? I don’t know the answer. But I do know that it took a combination of the three in the United States just to get minimal improvements on marine mammal captivity. But we still aren’t anywhere near where we need to be. My hope is that people worldwide will continue to learn about and value the natural world. Thanks for reading, please share and subscribe!
Additional Resources:
Report, “Orcas in captivity,” Whale and Dolphin Conservation, updated August 8, 2019.
Article, “Time running out for orcas, belugas trapped in icy ‘whale jail’,” National Geographic, April 8, 2019.
Video, “Inside China’s booming ocean theme parks,” China Dialogue Ocean, February 19, 2021.
Article, “Orcas don’t do well in captivity. Here’s why.” National Geographic, March 25, 2019.
“Orkid” at SeaWorld San Diego, image by Bryce Bradford on Flickr, Creative Commons license (CC BY-NC-ND 2.0)
In my last article, I explained how mother and calf separations are one of the greatest examples of why captivity is wrong for orcas. Today I want to look at their captive environments.
When visiting aquariums or zoos, we passively observe their habitats. For example, the sharks and sea turtles at the Tennessee Aquarium live in a tank that appears to mimic a natural environment: saltwater, a variety of other species and lifeforms, plants, coral, rocks, etc. At the Georgia Aquarium, shown below, whale sharks (which are sharks, not whales) live in a similar environment. At zoos, animals typically reside in an area that at least attempts to recreate the habitat native to the animal. Even if they’re too small, these exhibits include other animals, grass, trees, plant life, rocks, and water.
Whale shark at the Georgia Aquarium, photo by Pengxiao Xu on Unsplash
Unnatural environments
The environments of captive orcas at marine theme parks don’t even try to replicate what orcas experience in the wild. None of the interesting things found in a vast ocean exist in the tanks, as they are barren with concrete walls. There is no plant life and there are no other species. The tanks are too small and the water isn’t even saltwater. There is nothing for them to echolocate on, and nothing for them to examine up close except for the humans that walk by the underwater viewing windows.
“Killer Whale (Orcinus orca)” SeaWorld Orlando. Image by V.L. on Flickr, public domain (CC0 1.0)
“The tanks speak for themselves.” -Dr. Naomi A. Rose1
Captive environments alter the regular behaviors of many marine mammals. In the wild, they travel large distances in search of food. But in captivity, the animals eat and live in constricted spaces, so they lose natural feeding and foraging patterns. Worse, “stress-related conditions such as ulcers, stereotypical behaviors such as pacing and self-mutilation, and abnormal aggression within groups frequently develop in predators denied the opportunity to hunt.” Other natural behaviors altered in captivity include pod dominance, mating, and maternal care, which have negative impacts on the animals. “In most cases, these behaviors are strictly controlled by the needs of the facility and the availability of space. The needs of the animals are considered secondary.”62
Inadequate Size
Simply looking at an orca tank, one can see that it’s far too small and shallow for such a large animal. They are unable to get enough daily physical activity. In the wild, orcas swim up to 100 miles per day, but they cannot swim anything close to that in the pools. Orcas typically dive hundreds of feet deep and the deepest pools at SeaWorld and other marine parks are about 40 feet. “Even in the largest facilities, a cetacean’s room to move is decreased enormously, allowing the animal access to less than one ten-thousandth of 1 percent of its normal habitat size,” wrote Dr. Naomi A. Rose.63
In 1992, noted whale and dolphin researcher Erich Hoyt wrote about the small sizes of their tanks. “It is ironic when some of these establishments are surrounded by acres and acres of space in theme parks which include large areas devoted to boating, joy rides, and so forth.” Hoyt acknowledges that no pool can approach the size of space orcas use in the wild, the ocean. This is why so many marine biologists question keeping orcas in any size pool.64 The size of the tanks also impairs their ability to use echolocation.
Further, in the wild, orca pods have miles of space between them and other pods to avoid conflict. In captivity, there’s nowhere for the whales to go if they don’t fit in with their assigned pods (unlikely to be family members). “The stress of social disruption is compounded by the fact that orcas in captivity don’t have the ability to escape conflict with other orcas, or to engage in natural swimming behaviors in pools,” National Geographic noted.67
“The pools of SeaWorld are gigantic – if you are a human being.” -John Hargrove
“Lunch with Orca, SeaWorld San Diego.” Image by Thank You (20 millions+) views on Flickr. Creative Commons license (CC BY 2.0)
“No facility can simulate the vast reaches of the ocean that these animals traverse when they migrate, or can include in the enclosure oceanic flora and fauna. In short, in physical terms, the captive environment of these animals is profoundly limited and impoverished.”68
Climate and Sun Exposure
Most wild killer whales reside in much cooler climates than those of many of the marine parks. The three SeaWorld parks in Florida, Texas, and California, the Miami Seaquarium, Loro Parque, and Marineland of Antibes in southern France are all in hot, sunny places. Only SeaWorld San Antonio and Loro Parque feature a partially covered and shaded orca area, as you’ll see in the images below:
This slideshow requires JavaScript.
Captive orcas spend hours resting at the surface of the water and spend a good deal of time jumping out of the water and up onto platforms. In nature, diving helps orca get out of the sun, and the depths of the water shade their skin from UV rays. Trainers use black zinc oxide on their skin, both to protect their skin and to cover up sunburns from public view. Jeffrey Ventre, a former orca trainer at SeaWorld’s Orlando park, told The Dodo that “zinc oxide is a way to paint over burns — like a mechanical coat — usually on [the] dorsal surface of the animal. It’s also for aesthetic reasons, to hide blistering peeling skin.”70 SeaWorld denies the latter part, but even if this were not true, these whales are exposed to far more sunlight at marine parks than in the wild.
“In any design of a dolphinarium or aquarium, satisfying the needs of the visiting public and the facility’s budget comes before meeting the needs of the animals. If every measure were taken to create comfortable, safe, and appropriate conditions, then the size, depth, shape, surroundings, props, colors, and textures of concrete enclosures would be different from those seen now.”71
Water Quality
The chlorinated water is nothing like the composition of the sea. Live plants and fish species cannot live in chlorinated water, one reason the tanks are devoid of other life. Chlorine can also cause skin, eye, and respiratory complications for marine mammals. According to former senior trainer John Hargrove, SeaWorld treats the water with two other caustic substances, both of which can cause skin, tissue, and eye irritations. One is ozone, which controls bacteria that can contaminate the pools. The other is aluminum sulfate, which is very acidic and helps keep the water visibly clear.
Despite the chemical treatments of the water, a common cause of illness and death in marine mammals are bacterial and viral infections. According to the Case Against Marine Mammal Captivity, “US federal regulations do not require monitoring of water quality for any potential bacterial or viral pathogens (or other possible sources of disease), other than general “coliforms” (rod-shaped bacteria such as E. coli normally present in the digestive system of most mammals).”72 Therefore, we just have to hope that marine parks regularly check the water quality.
“Humans cannot replicate the ocean…It is a paradoxical empire: the chemically processed water in the pools is purer than that of the ocean, but it is not anywhere near what is natural for the whales; the orcas cavort for the crowds but they do not get enough physical exercise because there is not enough room to allow them to swim normally.” -John Hargrove73
SeaWorld Orlando, image by Eduardo Neri Du from Pixabay
Auditory problems
Hearing is essential to orcas, as their primary sensory system is auditory. It is a highly-developed system that includes its ability to echolocate. Unfortunately, they cannot use echolocation the same way they do in the ocean. The sounds bounce off of the walls of the barren pools reflecting nothing.
Additionally, there is often a lot of noise at marine amusement parks from fireworks displays, musical events, and roller coasters. These unnatural loud sounds disturb marine mammals daily, if not several times per day.74
“The acoustic properties of concrete tanks are problematic for species that rely predominantly on sound and hearing to perceive and navigate through their underwater surroundings. Persistent noise from water pumps and filtration machinery, if not dampened sufficiently, and any activity nearby that transmits vibrations through a tank’s walls, such as construction or traffic, can increase stress and harm the welfare of these acoustically sensitive species.”75
Illnesses from Mosquitos
Two captive orcas died from mosquito-borne illnesses, one at SeaWorld Orlando and the other at SeaWorld San Antonio.76 This is extremely unlikely to happen in the wild since cetaceans are below the water most of the time. According to an article in the Journal of Marine Animals and Their Ecology: “Unlike their wild counterparts who are rarely stationary, captive orcas typically spend hours each day (mostly at night) floating motionless (logging) during which time biting mosquitoes access their exposed dorsal surfaces. Mosquitoes are attracted to exhaled carbon dioxide, heat and dark surfaces, all of which are present during logging behavior. Further, captive orcas are often housed in geographic locations receiving high ultraviolet radiation, which acts as an immunosuppressant. Unfortunately, many of these facilities offer the animals little shade protection.”77
Other Captive Ailments
Captive marine mammals suffer from a range of eye and dental problems that are unique to captivity. Many captive orcas experience dorsal fin collapse. This is likely caused by gravity from their fins being out of the water much more than in the wild. Overexposure to sunlight, stress and dietary changes contribute to these ailments as well.
Image by M W from Pixabay
End Captivity
The obvious conclusion is that humans should not keep captive orcas. We should not force them to live in large swimming pools for their entire lives. Nor should they be performing for humans for entertainment, as if it were the circus. Orcas and other marine mammals should be viewed in the ocean, either from boats, the Whale Trail,78 or a sanctuary. In my next post, I will show you some of the orcas currently living in captivity. Thank you for reading, and please subscribe!
Additional Resources:
Article, “Tanked: Killer Whales in Captivity,” Hakai Magazine, May 12, 2015.
Article, “Why killer whales should not be kept in captivity,” BBC Earth, March 10, 2016.
Website, Voice of the Orcas, accessed January 21, 2021.
Article, “Former Orca Trainer For SeaWorld Condemns Its Practices,” NPR, March 23, 2015.
Orca performance at SeaWorld Orlando. Photo by Jo-Anne McArthur / We Animals (https://weanimalsmedia.org/)
As I mentioned in my first article in this series, I grew up loving animals and held a deep respect for zoos and aquariums. My parents took me to our local zoo often as a child. I loved seeing and learning about the vast array of species on our planet. They also took me to Disney World and several other parks in Orlando, but we never made it to SeaWorld. I’ve always wanted to go, and when I became a mother, I mentally added it to the list of places I’d like to take my son. I thought it would be truly awesome to experience.
But marine and ocean-themed amusement parks are often different from zoos and aquariums in that they do not provide anything close to a species’ habitat or natural environment. Established for entertainment purposes first and foremost, they are more amusement parks than aquariums. After learning all that I’ve learned this year, I simply cannot support SeaWorld and similar parks across the world. The lives they live in captivity are analogous to the circus, and I have never supported circuses.
I am choosing to not buy a ticket.
I want to share the resources with you that led me to this decision. But first, let me address SeaWorld and marine parks in general.
“Marine parks differ from zoos in that the animals – whales, dolphins and seals – are performers. This, say critics, puts them squarely in the circus tradition.”-Erich Hoyt1
SeaWorld San Diego, photo by NeONBRAND on Unsplash
SeaWorld as the Representative
Though a very successful business, SeaWorld has always had controversial beliefs and practices. Thad Lacinak, Vice President and Corporate Curator of Animal Training of SeaWorld Orlando from 1973-2008, said in 1989: “You get the so-called environmentalists who say they don’t think the whales like it here, but what proof do they have? Everything we see indicates to me that they don’t sit out in the pool thinking about being out in the ocean– because of the way that they seem to enjoy what we do.”63 I’m not convinced that orcas swimming in a pool with concrete walls and no other species, plant life, or ocean activity taking place is all that interesting compared to the open ocean. But the lack of empathy in that statement is what is most bothersome.
While the issues of captivity occur in all marine parks holding captive marine mammals, SeaWorld is the epitome. The documentary, A Fall from Freedom, called SeaWorld the “largest, wealthiest, and most politically powerful of all marine parks.”
At least 172 orcas have died in captivity, not including 30 miscarried or still-born calves. 92% of SeaWorld’s orcas did not survive past the age of 25 years. -Whale and Dolphin Conservation64
Blackfish
After watching Blackfish, I was intrigued not only by the controversy of captivity but also by the relationships trainers developed with orcas. This film, the most well-known documentary about this subject, told of the dozens of killer whale incidents at SeaWorld, including several deaths. The producers interviewed many former SeaWorld trainers and all shared similar stories. Management routinely omitted information about incidents and provided misinformation about orcas. The work environment elicited a consistent fear of being transferred away from orca work or being let go altogether. The film interviewed marine biologists who have studied wild orcas and found SeaWorld’s “educational” materials offensively inaccurate.
The film highlighted that orcas in captivity behave differently than wild orcas because captivity is traumatizing to them. It brought the issue of keeping them in captivity into the public’s view. This argument had been going on for years between different agencies, scientists, and marine biologists. “Outrage over the film metastasized quickly into calls to prohibit keeping killer whales in captivity,” wrote Michael J. de la Merced in the New York Times.68 The debate continues today but the changes are happening, albeit slowly.
The Killer in the Pool
An article entitled “The Killer in the Pool” written by Tim Zimmerman inspired director and producer Gabriela Cowperthwaite to begin researching Tilikum’s story. The article, written shortly after Dawn Brancheau’s death, detailed the history of orca capture and captivity, as well as marine park practices, trainer injuries, and deaths.71 Cowperthwaite said, “For two years we were bombarded with terrifying facts, autopsy reports, sobbing interviewees and unhappy animals – a place diametrically opposite to its carefully refined image. But as I moved forward, I knew that we had a chance to fix some things that had come unraveled along the way. And that all I had to do was tell the truth.”72 She’s also said in an interview featured in the film Long Gone Wild that she used to take her kids to SeaWorld and now will never buy a ticket again and hopes others will not either.
“If you pen killer whales in a small steel tank, you are imposing an extreme level of sensory deprivation on them. Humans who are subjected to those same conditions become mentally disturbed.” -Paul Spong, the founder of OrcaLab
John Hargrove, SeaWorld “Whistleblower”
Blackfish led me to John Hargrove’s book, Beneath the Surface: Killer Whales, SeaWorld, and the Truth Beyond Blackfish. Hargrove was a senior trainer at SeaWorld and spent 14 years of his life working in the industry. He left the company and became a “whistleblower” and provided even more insight into the practices of SeaWorld. I could hardly put this book down at times, it was so well-written and read almost like a novel.
Hargrove loved orcas from childhood and dreamed of being a trainer someday. While that dream came true and it was thrilling to work with the whales, it was also heartbreaking for him. He left because he was no longer able to go along with SeaWorld’s policies that he considered poor. These surrounded breeding practices, the separations of calves and mothers, and the mistreatment of trainers and animals alike. He loved the whales and had strong bonds with them, especially one named Takara. But he knew that “love alone was not going to save them.” He dedicated his book to all the orcas he swam and built relationships with for many years. “You gave me everything,” he wrote. “But most especially to Takara, who taught me so much and whom I loved the most.”
“It would make my life so much easier if I could say that those animals are thriving in captivity, living happy and enriched lives. Unfortunately, after all the years of experience that I had, I saw the psychological and physical trauma that results from captivity. A massive corporate entity is exploiting the hell out of the whales and the trainers.” -John Hargrove73
David Kirby’s book
Death at SeaWorld: Shamu and the Dark Side of Killer Whales in Captivity by David Kirby was published the same month that Blackfish first aired. Though difficult to read at times, the book was very well researched and well cited. Regardless, I learned a lot from his research. Throughout the book, Kirby followed the life and experience of marine biologist and animal advocate, Dr. Naomi Rose. It introduced many people taking part in this debate including former trainers, eyewitnesses of marine park incidents, animal rights activists, and marine mammal biologists. This book went beyond SeaWorld’s problems and examined the problem of cetacean (whales and dolphins) captivity. It covered the multiple accidents and deaths in marine parks, the OSHA cases against SeaWorld, the media backlash against SeaWorld from Blackfish, and other orca studies across the world. I recommend this book to those who really want to delve into the details of these topics.
Long Gone Wild
This film, released in 2019, focused on the continued plight of captive orcas, picking up where Blackfish left off. The film covered the case against captivity as orcas continue to live in barren concrete tanks. It explained the effects of Blackfish on SeaWorld, as the park took a major hit on attendance and profit. It appealed to its audience to stop supporting SeaWorld – “Don’t buy a ticket.”
The documentary went into depth about the plight of captive marine mammals in Russia and China, triggered by the growth in ocean-themed parks in those regions. It also presented the proposed Whale Sanctuary Project, a seaside sanctuary for retired orcas that would provide a safe, permanent home in their natural habitat.74 There are sanctuaries for elephants, tigers, chimpanzees, and other land mammals, but none for marine mammals in the entire world. I’ll write a post in the near future about the project.
Many orca experts were in the film as well as renowned authors such as David Kirby (mentioned above) and David Neiwert (Of Orcas and Men: What Killer Whales Can Teach Us). It explained the monetary value of the whales and how it has increased over time. Between 1966-1970, dozens of orcas were captured around Puget Sound, Washington, and sold for $30,000 – $50,000 each, some to SeaWorld. In 1976, people captured nine orcas from the seas around Iceland and sold them for $150,000-$300,000 each. Today, the wildlife trade values each orca between $2 million and $7 million dollars.
By the 1980s, wild orca captures had become controversial, especially in Western cultures. SeaWorld realized it would need to rely on breeding in order to have additional orcas for its parks. In 1985, Katina was born, becoming the first “Baby Shamu” for marketing purposes. It was effective. By 1989, SeaWorld had become a billion-dollar corporation.
SeaWorld did not respond to requests for interviews for this film.
The Case Against Marine Mammals in Captivity
I found this publication75 from the Animal Welfare Institute and World Animal Protection, authored by Dr. Naomi A. Rose and Dr. E.C.M. Parsons. This is by far the best report on this subject that I’ve found and at times difficult to stop reading. It is extremely well researched, organized, and written. It addresses the history of the public display industry and marine parks, the capture of cetaceans, conservation issues, animal environment, veterinary care, mortality and birth rates, ethics, swim with dolphins attractions, and the legacy of the film Blackfish. I highly recommend this if you are researching this topic, or even if you are just interested.
“The only hope of winning this war is for the public to stop buying tickets.” -Ric O’Barry, Founder and Director of The Dolphin Project
Orca performance at SeaWorld Orlando. Photo by Jo-Anne McArthur / We Animals (https://weanimalsmedia.org/)
My intention for this post is to make you think about the issue of captivity. Reconsider buying tickets to these parks. I’m going to save my money. Someday I’ll take my son whale watching to witness these beautiful creatures free in their own environment. In my next post, I want to explore the issues in detail. I’ll be using research from the sources I’ve listed in this article and many more. Thanks for reading!
Additional Resources:
A Fall from Freedom from the Discovery Channel was a good film with some dated filmography and interviews. However, I learned more about killer whales, the captive industry, and the people who study them. This film helped me put faces with names that I’d read about in David Kirby’s book.
The Cove, an Academy Award-winning film that heightened public awareness of the global problems surrounding dolphin captivity. From the Oceanic Preservation Society: “A team of activists, filmmakers, and freedivers embark on a covert mission to expose a deadly secret hidden in a remote cove in Taiji, Japan. By utilizing state-of-the-art techniques, they uncover a horrible annual tradition of unparalleled cruelty. A provocative mix of investigative journalism, eco-adventure, and arresting imagery make this an unforgettable and courageous story that inspires outrage and action.” I appreciate this film and think it offers valuable insight. But it was difficult to watch at times due to the graphic nature of the content. The team of people was amazing. They risked their lives to capture the footage and expose the mass murders of dolphins.
Report, The Performing Orca – Why The Show Must Stop: An in-depth review of the captive orca industry, by Erich Hoyt, Whale and Dolphin Conservation Society, January 1, 1992. This is an older publication, but many of the issues are still as relevant today.
Article, “The harmful effects of captivity and chronic stress on the well-being of orcas (Orcinus orca),” Journal of Veterinary Behavior, Volume 35, pages 69-82, January–February 2020.
Film, Keiko: The Untold Story, 2010.
Blackfish led me to John Hargrove’s book, Beneath the Surface: Killer Whales, SeaWorld, and the Truth Beyond Blackfish. Hargrove was a senior trainer at SeaWorld and spent 14 years of his life working in the industry. He left the company and became a “whistleblower” and provided even more insight into the practices of SeaWorld. I could hardly put this book down at times, it was so well-written and read almost like a novel.
This film, released in 2019, focused on the continued plight of captive orcas, picking up where Blackfish left off. The film covered the case against captivity as orcas continue to live in barren concrete tanks. It explained the effects of Blackfish on SeaWorld, as the park took a major hit on attendance and profit. It appealed to its audience to stop supporting SeaWorld – “Don’t buy a ticket.”
A Fall from Freedom from the Discovery Channel was a good film with some dated filmography and interviews. However, I learned more about killer whales, the captive industry, and the people who study them. This film helped me put faces with names that I’d read about in David Kirby’s book.
Report, The Performing Orca – Why The Show Must Stop: An in-depth review of the captive orca industry, by Erich Hoyt, Whale and Dolphin Conservation Society, January 1, 1992. This is an older publication, but many of the issues are still as relevant today.