I want to end this series with some final thoughts and ideas for the future about orcas in captivity.
The Impact of Blackfish
My own interest in orcas began with the film Blackfish and my education about orcas grew from there. I found the documentary moving, educational, and enlightening. While some charge that Blackfish was one-sided, the producers, as indicated in the film, requested interviews with SeaWorld multiple times and SeaWorld declined all requests. Further, many other sources support the information in the film. SeaWorld spent years fighting against the film’s revelations, calling it propaganda, and even dedicating an entire website to trying to debunk the film. That website has since been taken down and their current website does not make a single reference to it that I could find.Â
According to David Neiwert, “The marine-park industry attracts more paying customers than even the most popular sports leagues. In 2012, orca facilities around the world drew over 120 million people, more than the combined attendance of Major League Baseball, National Football League, and National Basketball Association games. Orcas are Big Money now.”1 Of course, the Blackfish effect permanently altered the course of the marine amusement park industry on the western side of the world. There have been many articles written about the film’s significant long-term effects, some of which I’ve included under Additional Resources below.
Still, SeaWorld Parks & Entertainment alone had annual attendances of over 22 million in both 2018Â and 2019.2 It is difficult to determine if SeaWorld has experienced a continued decline in recent years since 2020 and part of 2021 were affected by the COVID-19 global pandemic.
Entertainment as Cause
1970s MarineLand Canada brochure, image from Cetacean Collective on Flickr, Creative Commons license (CC BY-NC 2.0)
In my article about wild orca captures, I explained how the marine amusement park business model developed over time. Killer whales were once feared and believed to be dangerous. “Then someone got the clever idea to capture one of these terrifying creatures and to put it on display. And that changed everything…The public’s fascination with orcas was remarkable, considering that less than a generation before, these creatures had mostly elicited shudders of fear.”3 Humans discovered how intelligent and easy it was to train killer whales to perform, much like circus animals, for the purpose of entertainment.
“Ironically, it is their intelligence that has made these animals desirable for public display—their ability to understand human commands and learn complex behaviors or tricks has been exploited to provide humans with entertainment.” -Dr. Naomi Rose4
Image by M W from Pixabay
The Argument For Captivity
In Of Orcas and Men, David Neiwert talked about his experience taking his daughter to SeaWorld when she was very young. He asked, “These parks deserve great credit for providing people the opportunity to actually see, in the flesh, one of these great creatures, but do they truly show orcas as they really are?”5 Of course, the answer is no. I have struggled with that exact point throughout my whole orca series: the parks allow people to see orcas, and most of us don’t have the opportunity to see one otherwise. Isn’t that one of the same arguments in favor of zoos? To allow people to see and learn about the animal kingdom so that they will want to protect them?
But marine amusement parks have a different primary goal, that of entertainment. As Neiwert noted, “Those parks tell a different story about killer whales. They portray them as docile and friendly, like super-smart performing dogs.”6 Dr. Naomi Rose noted that the Animal Welfare Institute and World Animal Protection organizations “maintain that exposure to captive marine mammals does exactly the opposite of what the industry rhetoric claims; instead of sensitizing visitors to marine mammals and their habitat, it desensitizes people to the suffering inherent in removing these animals from their natural habitats and holding them captive.”7Â
“Captivity has been a catastrophe for most killer whales taken from the wild. Study after study has demonstrated that whales in captivity are more than two and a half times more likely to die than whales in the wild.”8
Photo by Shawn McCready on Flickr, Creative Commons license CC BY-ND 2.0)
The Façade of Science and Education
Many marine amusement parks in the U.S. are AZA-accredited. But many have not contributed to science, conservation, and education to the extent that zoological parks have. As whale researcher, Erich Hoyt, noted in 1992, “Marine parks do not measure up to the best zoos or environmental groups in terms of supporting or conducting science.”9 As I’ve learned, marine amusement parks still do not measure up, thirty years later. I think they’re starting to turn things around for the better, but there’s still a long way to go. “If science were a primary goal at marine parks, rather than display, much better scientific results could have been obtained with a fraction of the number of captive orcas and in a fraction of time.” Then the orcas could have been released. Hoyt argued that “science” was an excuse to keep captive orcas.10
Marine amusement parks also do not educate their patrons about cetaceans in the wild, or at least not very accurately. SeaWorld and other marine amusement parks sometimes portray the ocean as a scary place that orcas face a lot of challenges within, which is misleading. “However, that does not mean captivity is a better place for them than the wild. It only means that the people who fear for their well-being in captivity, and wish to see it ended, also need to be engaged in helping killer whales to thrive in the wild.”11 SeaWorld and the other parks have an opportunity to inspire their patrons to help protect the natural world.
“There is about as much educational benefit to be gained in studying dolphins in captivity as there would be studying mankind by only observing prisoners held in solitary confinement.” -Jacques Cousteau
An Example in Morgan the Orca
Photo by Annemieke Podt, found on Wikipedia, Creative Commons license (CC BY 3.0)
Morgan is a female orca at Loro Parque in the Canary Islands whose captivity is very controversial. Accidentally separated from her family when she was about 3 years old, she was captured off the coast of the Netherlands in 2010. She was taken to Dolphinarium Harderwijk to receive medical care for starvation and dehydration. Morgan was supposed to be rescued, rehabilitated, and released back to the ocean. However, the marine amusement park transferred her to Loro Parque instead where she has become a performing orca and was integrated into the park’s breeding program in conjunction with SeaWorld. The original agreement stated that she would not be put on public display but that part was ignored. There was a year of lengthy court battles but in the end, Morgan sadly remains at Loro Parque. She is an example of a captive orca that could be released to a sanctuary, if not back to the wild.
“Children know conservation is important, but what more powerful lesson than to show them how to put conservation into action by returning something to nature? It would be a noteworthy gesture from marine parks that have earned so much money from cetaceans.” -Erich Hoyt12
“If captive [cetacean] facilities were serious about trying to conserve the species that they possess, they would be focusing on protecting the habitats of populations in the wild and would actively be trying to ensure that their captive-bred animals could be reintroduced, and survive, in the wild.” -Dr. Naomi Rose13
Photo by Adam Ernster from Pexels
The View of Captivity is Changing
The view of orca and cetacean captivity is changing, though more on the western side of the world. As David Neiwert noted, “When we are forced to concede, as with orcas, that we are not unique in our intelligence, that we may not be the only creatures worthy of being considered persons, then we likewise have to reconsider our previous, Western-grown position as special beings somehow separated from nature.”14 But the marine amusement park industry is growing on the eastern side of the world, as I wrote about in a previous article. We, as human beings, have a long way to go in spreading the information and educating others about the problems of cetacean captivity.
“Growing awareness about the problems associated with captive cetaceans have led marine parks around the world to shut down or redefine themselves,” including India and Switzerland, both of which have banned orca captivity.15
Life-sized orca models at the Monterey Bay Aquarium. Photo by Thomas Hawk on Flickr, Creative Commons license (CC BY-NC 2.0)
Examples
The Vancouver Aquarium was the first to start changing its programming surrounding orca exhibition. In 1986, the programming featured information about the daily life of orcas and was perhaps the most educational show at any marine park at the time. Then, in 1991, they discontinued scheduled performances, moving away from the circus-like show, and instead offered limited training demonstrations.17 Since 2001, Vancouver Aquarium has not kept any orcas in captivity and has pledged not to capture wild animals. (Note: In April 2021, the pandemic nearly bankrupted the Vancouver Aquarium, so Herschend Enterprises, an American theme park and entertainment company, purchased the aquarium. They also co-own Dollywood, so I hope that they hold true to the Vancouver Aquarium’s ideals.)18
The Monterey Bay Aquarium, which focuses on the complex marine environment of Monterey Bay in California, is a highly successful aquarium with no large captive cetaceans or marine mammals. They have life-sized models and wildlife viewing from their facility.
Some museums offer full-scale models of all types of cetaceans, such as this one. “Blue whale model” at the Natural History Museum in London. Photo by Matt Brown on Flickr, Creative Commons license (CC BY 2.0)
Viewpoints
“We need to realize that these are beings that suffer the same as we suffer, they want freedom the way we want freedom.” -Russell Simmons, music executive19
Orcas were once feared and called ‘killer whales.’ But orcas in captivity changed the view of millions of people. People started to view them as more like playful dolphins that were fun, loveable, and intelligent. “Studies of wild orcas followed – some of the first were to help regulate the number of live captures – and this research gave insight into the lives of the free, wild orcas and led some to question whether orca captures and the practice of keeping them in marine parks should continue.”20 So, in this way, did captivity help this animal?
I don’t believe so. Humpbacks, blue whales, and other large cetaceans aren’t kept captive and people are still drawn to those animals. Interest breeds education and education breeds understanding. Also, the destructive wild captures have decimated some ecotype populations of orcas. Those populations might be fine if the marine amusement park industry hadn’t tried to capture so many, killing some unintentionally along the way.
Photo by Christopher Michel on Flickr, Creative Commons license (CC BY 2.0)
Where do we go from here?
I encourage you to read books, articles, and publications, and watch documentaries about the issues in my Orca Series. I’ve listed many resources throughout my articles in this series. You can follow the organizations trying to help both captive and wild cetaceans and the scientists who work with those organizations. For example, the Whale Sanctuary Project is a proposal to build a large sanctuary for retired cetaceans in Nova Scotia. They have a large team of scientists and professionals and have conducted extensive research in order to build the sanctuary once fundraising is complete. Cetaceans from marine amusement parks will have a safe ocean area to retire to, where scientists will care for and monitor them.21
Ric O’Barry’s Dolphin Project has operated for decades to free dolphins from captivity. They’ve worked tirelessly to close down or prevent from opening dozens of facilities that would have held captive dolphins and whales.22 Those are just two examples. I’ve listed other organizations under Additional Resources.
Don’t support marine amusement parks if you aren’t sure about their practices and ethics. If you don’t want to support a company, don’t buy tickets to any of their parks, as some companies own multiple. SeaWorld Entertainment, for instance, owns 12 parks. Though SeaWorld seems to be improving its practices and being supportive of the ocean and wildlife, they have a ways to go. But they claim that every ticket helps support their rescue operations. What do you think?
“Humans, despite a poor record of respecting the rights of other humans, as well as whales in general…are now in the position of helping or hurting all life on Earth. The question may well become: Can humans be good managers without assuming the traditional role of exploiter?” -Erich Hoyt23
Thank you for reading this series. I hope it’s helped you understand the issues, problems, and potential solutions regarding orca captivity. Please share and subscribe!
Additional Resources:
Blackfish:
Article, “SeaWorld’s ’69 Reasons you Shouldn’t Believe Blackfish’ – My Rebuttal,” Inherently Wild, accessed April 7, 2021. This website also features a full database of captured orcas, deceased orcas, pregnancies, and mother and calf separations.
Webpage, “Blackfish Reviews,” Blackfishmovie.com, accessed April 1, 2021.
Article, “The Blackfish Effect,” The Nonhuman Rights Project blog, December 27, 2013.
For as long as there have been stories and records about it, whale hunting has always been brutal, barbaric, and gory. Capturing orcas and other marine mammals for sale to aquariums and amusement parks is just as violent and brutal. Whale hunters have used explosives, helicopters, and other fear tactics to separate orcas from their pod. Many orcas have been killed accidentally in the process. Even more reprehensible was the cover-up of those deaths. Whale hunters posthumously cut open dead orcas and stuffed them with rocks to sink their bodies. Additionally, these captures in the 1960s and 1970s greatly reduced the populations of orcas, particularly the Southern Resident orcas.
At least 166 orcas have been taken into captivity from the wild since 1961, and 129 of these orcas are now dead.3 Eventually, laws ended these practices and captures. But this directly led to the establishment of breeding programs at SeaWorld and other marine amusement parks.
“The capture, imprisonment, possession, and profits made from the suffering of Orcas is by every definition – a slave trade. Stolen and forcefully removed from their family and their pods (tribes), trained, and selectively bred to work for the profit of the owners, transported, abused, their lives shortened, the dead outnumbering the living, traded like commodities, deprived of food to force compliance, and paraded before people for amusement…We need to abolish [cetacean] slavery and toss the entire industry into the dustbin of history. It is perversely cruel, unnecessary, unethical, inhumane, and a foul disgrace to humanity.” -Captain Paul Watson, Orcapedia: A Guide to the Victims of the International Orca Slave Trade
Photo by Nitesh Jain on Unsplash
Whale Capture
“Most cetacean capture methods are extremely traumatizing, involving high-speed boat chases and capture teams violently wrestling animals into submission before hauling them onto a boat in a sling and then dumping them into shallow temporary holding tanks or pens.”4
The Vancouver Aquarium
In 1964, the Vancouver Aquarium captured an orca named Moby Doll. He was a male they first believed was female but did not know until after his death that he was, in fact, male. Originally, the aquarium had no intention of capturing an orca. They actually commissioned an artist to kill an orca to use as a body model for a killer whale sculpture. However, after harpooning a young whale and then shooting it several times, the whale did not die. Instead, the orca followed its captors as if on a leash for 16 hours in order to avoid the pain of resistance with the harpoon in his back. The aquarium displayed Moby Doll for scientists and the public to view. He did not eat for 55 days. When he finally started eating, he consumed 200 pounds of fish daily. But he never fully recovered and died after 87 total days of captivity.
“Moby Doll was the first orca ever held in captivity, and his amazing qualities, seen by humans for only those hard last months of his life, started both a new appreciation for orcas and a new industry of catching and displaying the whales for entertainment.”5
The Vancouver Aquarium no longer keeps captive whales. “After Moby Doll, [they] got more orcas and kept at least one in captivity until 2001, when its last orca, an Icelandic whale nicknamed ‘Bjossa,’ was shipped away to SeaWorld in San Diego, where she soon died.”6
Seattle Marine Aquarium at Pier 56
In 1965, Fishermen accidentally caught Namu the orca in their net in Canadian waters. Namu was the first captive performing killer whale. They contacted the owner of the Seattle Marine Aquarium, Ted Griffin, who bought Namu for $8,000. Griffin put him on display. “Crowds flocked to Pier 56 to watch Griffin ride the whale and to see Namu jump on command,” according to The Seattle Times.7 Downtown shops sold Namu souvenirs. There are two songs and a film about Namu.8
“Within a month, Griffin made history, becoming the first human ever known to ride a killer whale…Visitors and the press were crazy for the story of Griffin and Namu.”10
Griffin intended to capture another whale so that Namu would have a mate. Activists and scientists protested. Then two female whales died during Griffin’s effort, which exacerbated the issue. In the midst of that, Griffin received approval to build a new marine park as a new home for Namu. But the project never came to be.11
Proposed “marine park” at Seattle Center, 1966. Image from the Seattle Municipal Archives on Flickr, Creative Commons license (CC BY 2.0).
Namu’s legacy
The success of the aquarium from having Namu “spark[ed] a period of orca captures in the region, when a generation of southern resident killer whales was taken and shipped to aquariums around the world.”12Â Other marine amusement parks sought the financial success of having captive performing orcas. Unfortunately, it became an established practice.
“Namu fever stoked an international craze for killer whales to put on exhibit all over the nation and the world. Captors particularly targeted the young, the cheapest to ship.”13
Sadly, Namu died within one year. He drowned after he became entangled in the netting of his pen. The autopsy revealed a massive bacterial infection caused by the raw sewage polluting the bay,14 and this likely contributed to the whale’s disorientation and drowning.15
Ted Griffin continued pursuing orcas and was part of the famous Penn Cove massacre in August 1970 when four orcas were drowned in their nets. In a failed effort to cover up the deaths, Griffin ordered workers to cut the whales open and weigh them down with chains and rocks to sink them. But the corpses were caught in a fisherman’s net and hauled to shore a few months later, and news reporters captured the event. “Griffin lost the stomach for orca captures after the Penn Cove debacle and dropped out after 1972.”16Â
“Killer Whale (Orcinus orca)” near Kenai Peninsula Borough, Alaska. Photo by Gregory “Slobirdr” Smith on Flickr, Creative Commons license (CC BY-SA 2.0)
“Every one of the fifty Southern Resident whales captured by Ted Griffin and Don Goldsberry from the Puget Sound is now dead, with one exception…Lolita.” -David Neiwert17Â
The Marine Mammal Protection Act in 1972
In the 1960s and early 1970s, whale captures were largely unregulated and were completely legal. Humans captured hundreds of orcas and thousands of marine mammals during those decades for all types of purposes. Congress passed the Marine Mammal Protection Act in 1972 (MMPA) in direct response to concerns about the effects of human activity on marine mammals. But at the insistence of the theme park industry, Congress gave an exemption for marine mammals in zoos and aquariums, under the facade of ‘for educational purposes.’20 Conservation was the term used to claim these exemptions.
“When drafting the Marine Mammal Protection Act of 1972 (MMPA), members of the US Congress believed, or were lobbied into promoting, the long-accepted view that the public display of wildlife (at facilities such as zoos and aquaria) serves a necessary educational and conservation purpose.”21
The National Oceanic and Atmospheric Administration (NOAA) granted SeaWorld an economic-hardship exemption in 1974. This allowed them to continue the practice of hunting orcas.22 All of this affected the Southern Resident populations.
NOAA grants other exceptions under the MMPA. Examples include scientific research, photography, capture, or first-time imports for public display in aquariums, or rescues.
Photo by Thomas Lipke on Unsplash
Washington State
In 1975, Washington State filed a lawsuit against SeaWorld and in 1976, closed its waters to killer whale captures, a direct reaction to the ridiculous craze for capturing them. “By 1976 some 270 orcas were captured — many multiple times — in the Salish Sea, the transboundary waters between the U.S. and Canada, according to historian Jason Colby at the University of Victoria. At least 12 of those orcas died during capture, and more than 50, mostly Puget Sound’s critically endangered southern residents, were kept for captive display. All are dead by now but one,” referring to Lolita at the Miami Seaquarium.23 Southern Resident orcas lost a third of their population to capture by 1975 and the ecotype has never fully recovered. “Nearly a whole generation of reproduction was represented in the whales captured and killed,” wrote David Neiwert.24 The Southern Residents were classified as endangered in 2005.
Icelandic and North Atlantic captures
Less than 8 months later, SeaWorld and other marine parks moved their capture operations to Icelandic and North Atlantic waters. SeaWorld hired Don Goldsberry, who had been a part of the Puget Sound massacre, to go to those areas.25 “Between 1976 and 1989, at least 54 orcas were captured from Icelandic waters and sold to marine parks around the world. [Seventeen] of those whales ended up at SeaWorld parks.”26 Forty-eight of these orcas have died in captivity.27 Killer whale capture in Iceland ended in 1989 (but whale hunting, in general, began again in 2003).
Tilikum was one of the wild captures from Iceland and the North Atlantic.28 Tilikum was the whale who killed his trainer in 2010 at SeaWorld Orlando and may have been responsible for two other human deaths during his captive history. He passed away in 2017. Whale hunters captured Keiko, the star of Free Willy, from the same area. Kiska, whom I wrote about previously, was also captured there.
“All cetacean capture methods are invasive, stressful, and can potentially be lethal.” -Dr. Naomi A. Rose29
“Orca Whales (Orsinus orca), Marineland, France,” by Spencer Wright on Flickr, Creative Commons license (CC BY 2.0)
After 1989
Laws prohibiting wild captures led to the establishment of captive breeding programs at marine amusement parks. Over the last 40 years, this practice has become the new standard for replenishing orca stock. “One of the keys to SeaWorld’s success was its ability to move away from controversial wild orca captures to captive births in its marine parks. The first captive birth that produced a surviving calf took place at SeaWorld Orlando in 1985. Since then, SeaWorld has relied mostly on captive breeding to stock its parks with killer whales, even mastering the art of artificial insemination.”30
Thankfully, the practice of captive breeding is now ending in the western world. But in other parts of the world, marine amusement parks are growing in popularity. This means wild captures are now on the rise in those areas. In my next article, I’ll share some of this information with you. Thanks for reading, and please share and subscribe!
Additional Resources:
Article, “A Whale of a Business: Laws, Marine Mammal Legislation,” Frontline Online, PBS, accessed March 3, 2021.
Video, “Choosing between hunting & saving whales,” CNN.com, November 18, 2014.